Waistcoats and Weaponry by Gail Carriger

source: gift

Waistcoats and Weaponry by Gail Carriger
series: Finishing School (3)

Waistcoats and Weaponry is the third book in the Finishing School series after Etiquette and Espionage (see post) and Curtsies and Conspiracies.  I'd had it on my wishlist ever since that once-just-books-now-everything online retailer had it available for pre-order.  Since it came out in November, I didn't go ahead and buy myself a copy in the hopes of getting it for Christmas.¹ So sure was I that I'd have a copy of Waistcoats and Weaponry in hand by the end of December² that I started rereading Etiquette and Espionage in preparation.³  And get it for Christmas, I did - two copies!  Both Russell and my mom purchased the book from my wishlist at that site.⁴ I assured my mother, who was quite a bit more concerned about the duplicate gift than Russell, that getting two copies was not a problem at all and that I knew exactly what to do with the second one. A few days later I sent it along to sister-in-law #3 and niece #1, to whom I'd previously given the series' first installments.

In any case because I also wanted to reread Curtsies and Conspiracies before I started my new acquisition, Waistcoats and Weaponry ended up being the first book I finished in 2015. It was a good way to start the year because it was such a satisfying read, giving me exactly what I've come to expect from Carriger, whose work I enjoy (see posts), and from this series in particular. In Waistcoats and Weaponry, Sophronia and her friends are properly transitioning out of childhood (complete with the realization that maybe they aren't quite ready for everything that means) and Carriger handles it beautifully. It's also significant to note that I finished Waistcoats and Weaponry with a desire to reread the Parasol Protectorate books (see post) because of a suspicion that if I look closely enough I may find evidence of another of the Finishing School characters that I didn't original recognize as a character from Parasol Protectorate.

1. I tried my best to ensure this eventuality by dropping copious hints to Russell.
2. If Santa et al failed me I was prepared to purchase a copy myself.
3. When it's been a while since I've read a series earlier installments, I like to reread them so that they are fresh in my mind before I start the latest one. Also, see note #1.
4. Site hiccup or user error? You be the judge.

The Peculiar by Stefan Bachmann

source: public library

Changeling — The child of a faery and a human, a changeling is small, sickly, and sharp-faced, and, if his faery-blood is particularly strong, he will have branches growing out of his head instead of hair. He is not expected to live past the age of twelve. [...] Half-bloods are forever being hung by the superstitious lower class, or stolen by the faeries who hate them for their ugliness. They spend most of their short lives locked-up and hidden away. (Bachmann's Faery Encyclopedia)

I checked out the e-audio version of The Peculiar in preparation for a train trip earlier this month. I hoped to while away the 7 hours each way listening to the novel and knitting. While the shawl project I packed proved to be a poor choice for train travel, The Peculiar did not let me down. It was engaging, but not too taxing, which was particularly useful during my exhausted return trip.

The novel is set in an alternative 19th century England, in which humans and faeries (cut off from the Old Country after an ill-fated attempt at conquest many years before) live in somewhat uncomfortable peace. It's two protagonists are Bartholomew Kettle, a changeling from the faery slums of Bath (his father, a high faery, "danced off into the night and never c[a]me back"), and Arthur Jelliby, a (human) member of the Privy Council who is particularly ill-suited to political life (his mother, a Hessian princess, got him a position as MP "while playing croquet with the Duke of Norfolk").  When a number of suspicious deaths seem to point to a serial killer targeting changeling children, our two protagonists independently develop vested interests in thwarting the killer.

The Peculiar was written by a teenager (apparently Bachmann, age 18 at the time of publication, started writing it at age 16), but it doesn't read like a novel by a teen (better writing than Christopher Paolini, for example, and no focus on romance, sex, or other angsty teenage occupations).  The novel is being marketed to middle grade readers, but it would be just as (if not more) appropriate for young adults because of its underlying themes.

a couple of new YA books from favorite non-YA authors

Russell and I have good about reining in our tendency toward excessive book acquisition since we moved (very good with the exception of the Borders-liquidation splurging).  In recent months I have purchased two books for myself, intentional purchases from from bricks-and-mortar book stores.  Both of these books were on my to-buy list because I love their authors' other work and knew that I'd want these new releases for my library. After reading both of them, I know that I made the right decision to skip the library and go straight to the bookstore.

I bought The Last Dragon Slayer by Jasper Fforde (released in October) for myself in December and wrapped it up as a Christmas present. I bought Etiquette and Espionage by Gail Carriger (released on February 5th) on Presidents' Day weekend. These two novels have quite a lot in common. Both are written by authors who are famous for zany, alternate history-type fantasy novels. Both are their respective authors' first foray into YA fiction (though I wouldn't hesitate to recommend Carriger and Fforde's other novels to teens). Both are first in a planned series. And, both have really fantastic (in my opinion, at least) cover art.

Etiquette and Espionage by Gail Carriger
series: Finishing School (1)

Etiquette and Espionage is set in the same world as Carriger's Parasol Protectorate series (see post), though at a slightly earlier time (alternate 1851). In it we meet some of the Parasol Protectorate series' secondary characters as children.

The novel opens with 14-year-old Sophronia Temminnick ensconced within a dumbwaiter, from which she hopes to eavesdrop.  When Sophronia's plans go disastrously awry, resulting in a ruined dress (hers) and a ruined hat (Mrs. Barnaclegoose's), Sophronia's mother unceremoniously packs her off to Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality. That Mademoiselle Geraldine's is no ordinary finishing school becomes apparent before Sophronia arrives as the academy.  If the natterings of her fellow debut weren't enough to make Sophronia suspicious, their coach being beset by flywaymen (airborn highwaymen), demanding they hand over a prototype, sealed the deal.

I enjoyed Etiquette and Espionage immensely (a school that teaches espionage alongside etiquette and has both werewolf and vampire instructors is so very Gail Carriger) and look forward to buying Curtsies and Conspiracies, Finishing School installment the second, for my library in November or December.

The Last Dragon Slayer by Jasper Fforde
series: Chronicles of Kazam (1)

The Last Dragon Slayer is less obviously a series opener. I know that it is the first book in the Chronicles of Kazam series only because the publishers tell me so, but it makes sense since Fforde does love to write in series.

The Last Dragon Slayer takes place is a completely different world than any of Fforde's other series, but that world is appropriately eccentric and fully realized.  If you like Jasper Fforde, you'll like this new series, but it is a bit like Fforde lite. Acutally The Last Dragon Slayer would be a good introduction to Fforde as it is a more approachable than The Eyre Affair, The Big Over Easy, or Shades of Grey (which is probably Fforde's least accessible opener).

15 year-old Jennifer Strange is an orphan indentured to Kazam Mystical Arts Management. She's been running the company, which hires out magicians for miscellaneous odd jobs, since the mysterious disappearance of its director, Mr. Zambini.  Mystical arts management isn't the most promising of career fields given that magic is losing its potency, but Jennifer only has a few years left in her servitude.  However, when her name is connected with the prophesy of the imminent death of the last dragon, it becomes clear that Jennifer's immediate future will involve more than paperwork and contract negotiation.

The second book in the Chronicles of Kazam, The Song of the Quarkbeast, will be released in the US in September (it's been available in the UK since 2011).

quick thoughts on three recent reads

because, regardless of extenuating circumstances, it is far too early in the year to give up on what little resolution I had.

After the Storm by Sangeeta Bharava

A coming-of-age story set during the time of the Indian independence movement (1947 bookends the bulk of the action, which takes place in 1941). The upheaval of the period is seamlessly integrated into the story and into the lives of the novel's four main characters:  an Indian princess who's left home to attend a formerly all-English boarding school; her bi-racial best friend, who was raised by a hardworking single mother because her parents' families so disapproved of their match that they would not reconcile even after her father's death; a Sikh college student turned revolutionary; and a young Englishman who will forever be tainted by his father's participation in the Jalianwala bagh massacre. 

The Peculiars by Maureen Doyle McQuerry

This is one of the books I received for Christmas. It was on my wishlist presumably because I'd seen some pre-launch information for this paranormal steampunk novel and wanted to make sure to check it out once it was published.
I have to admit that I didn't like The Peculiars as much as I thought that I would. The protagonist, Lena, is generally sympathetic, but when she's frustrating, she's extremely frustrating.
Things I did like about the novel: the world, secondary characters like Jimson and Mr. Beasley (and Mrs. Mumbles), and the fact that romance while part of the story takes a back seat to the rest of the story.

The Scorpio Races by Maggie Stiefvater

My favorite Stiefvater novel by far. I've read between one and two-thirds of the Wolves of Mercy Falls Trilogy and by that I mean that I listened to the audio version of Shiver and I may have given up in the face of Linger's angst before I finished it. Quite recently I read The Raven Boys, which was a bit too supernatural for me.
The Scorpio Races was inspired by Celtic legends of water horses. Stiefvater's fictional Thisby island and its inhabitants are so realistic that a reader can almost forget that what she's writing about isn't real.

books for the holidays

So far I've received slightly more books than I gave this year.
(Russell, it seems, did not receive any books this year)

What I received -

Brave New Knits: 26 Projects and Personalities from the Knitting Blogosphere
by Julie Turjoman
from a swap partner (same swap mentioned here)
Brave New Knits is the first book to celebrate the convergence of traditional hand-knitting and modern technology. The Internet has made it possible for the knitting community to connect through photos, pattern-sharing, and blogs that document the knitting projects and passions of dozens of designers and enthusiasts. With a Foreword written by Jessica Marshall Forbes, co-founder of Ravelry.com, Brave New Knits includes 26 must-have garment and accessory patterns, all gorgeously photographed by knitting celebrity Jared Flood of Brooklyn Tweed. Contributors range from established designers like Norah Gaughan, Wendy Bernard, Anne Hanson, and knitgrrl Shannon Okey, to rising stars such as Melissa Wehrle, Connie Chang Chinchio, and Hilary Smith Callis. In-depth interviews with the designers reveal their design philosophy and passions. From shapely sweaters and delicate shawls to fingerless gloves and stylish hats, each of the knitted designs features detailed directions and charts to inspire both the beginner and experienced knitter.

The Last Dragonslayer
by Jasper Fforde
from Santa (ie. me (and Russell))
From the author of the Thursday Next mysteries comes this off-beat fantasy, the first in a new series for young readers. In the good old days, magic was powerful and unregulated by government, and sorcerers were highly respected. Then the magic started to fade away. Fifteen-year-old Jennifer Strange runs Kazam, a magic employment agency. Work is hard to come by, and unexciting: These days, sorcerers find work unblocking drains, and even magic carpets have been reduced to pizza delivery. So it's a surprise when the visions start. Not only do they predict the death of the last dragon at the hands of a dragonslayer, they also point to Jennifer. Something is coming. Something known as — Big Magic.

One + One: Scarves, Shawls & Shrugs: 25 Projects from Just Two Skeins
by Iris Schreier
from my mom and dad
One + One = Two skeins! That's all it takes to make any of these 25 breathtaking knitted accessories. Scarves, Shawls & Shrugs is the first in a new series by renowned designer Iris Schreier that showcases the many possibilities of working with just two skeins of yarn. Mixing yarn types, weights, and colors, she presents a dazzling array of stylish and sophisticated wraps. Schreier created about half the projects herself, while other prominent designers provided the rest.
The projects range from easy to unique and offer new ideas for blending yarns and creating pieces with high appeal, beautiful drape, and practical functionality.

The Peculiars
by Maureen Doyle McQuerry
from my mom and dad
On her 18th birthday, Lena Mattacascar decides to search for her father, who disappeared into the northern wilderness of Scree when Lena was young. Scree is inhabited by Peculiars, people whose unusual characteristics make them unacceptable to modern society. Lena wonders if her father is the source of her own extraordinary characteristics and if she, too, is Peculiar. On the train she meets a young librarian, Jimson Quiggley, who is traveling to a town on the edge of Scree to work in the home and library of the inventor Mr. Beasley. The train is stopped by men being chased by the handsome young marshal Thomas Saltre. When Saltre learns who Lena's father is, he convinces her to spy on Mr. Beasley and the strange folk who disappear into his home, Zephyr House. A daring escape in an aerocopter leads Lena into the wilds of Scree to confront her deepest fears.

What Lies Beneath the Clock Tower
by Margaret Killjoy
a stocking stuffer (courtesy of my mom)
Descend into the depths of the undercity and embroil yourself in the political struggles of colonialist gnomes and indigenous goblins. Fly in air balloons, drink mysterious and pleasant cocktails, smoke opium with the dregs of gnomish society. Or dream and speak of liberation for all the races. Fall in love and abscond into the caverns. It's up to you, because this is an adventure of your own choosing.

What I/we gave -

The Tolkien Years of the Brothers Hildebrandt
by Greg Hildebrandt Jr.
for my dad, a Tolkien-lover and frequent recipient of Hildebrant calendars
The million-selling Tolkien calendars created during the '70s by renowned fantasy artists Greg and Tim Hildebrandt are now considered artistic masterpieces, a defining visual interpretation of The Hobbit and The Lord of the Rings. The Tolkien Years of the Brothers Hildebrandt collects the complete treasury of their fantastic artwork, plus the untold story behind the creation of those cherished illustrations. Greg Hildebrandt, Jr. provides a fascinating behind-the-scenes look into the defining work of his father and uncle, now updated and expanded with all-new pages of commentary and exclusive, never-before-printed art!

The Seven Markets (see my review)
by David Hoffman
for my dad (as well as a few others who may or may not have received their gifts yet)
Once in every century, for three days only, the Market comes. Her whole life, Ellie MacReady has delighted at her papa’s stories of the fantastical Market. The creatures that walk its streets. The wonders waiting in every shopkeeper’s window. The exotic foods and unearthly scents which tempt travelers on every corner. But in all his stories, her papa never mentioned the irresistible Prince, or the perils which await young girls who wander away to explore the Market on their own.

steampunk style

Steampunk has gotten quite a bit of attention on the blog (see posts), but the focus has always been on the fiction. While steampunk is at heart a literary subgenre,¹ for many it is first and foremost a design aesthetic. And one of the things steampunk aficionados like to do most is dress up to attend steampunk-themed events.

Items characteristic of steampunk fashion are under-bust corsets and goggles adorned with decorative metal elements. Individuals beginning to craft costumes are often admonished to begin with a items that are historically accurate to the period and then add shiny and creative details. Steampunk costumes often require a trips to both the local thrift and hardware stores before they are complete.

When I think of steampunk style, the word that often comes to mind is a made-up one, reproaesthetical. In Megan McCafferty's Bumped, reproaesthetical is a slang term meaning "having good genes" or "worthy of breeding with".  Obviously, that's not what I mean, but if one imagines the combination relying on historical reproduction (or the use of replicas) rather than sexual, my use of reproaesthetical likely begins to make more sense.

Steampunk style is a riff on historical style.  Historical reproductions (and authentic period items) can serve as a foundation, becoming steampunk with the addition of anachronistic decorative elements.  They can also inspire something completely new as illustrated by the images below (click on them for a bigger version of the images).

A friend's reproduction Victorian sewing box and tools

First, we have a portable 19th century sewing kit. Vintage implements (a delicately hand stitched pin cushion, threads both in the skeins and on thread winders, a silver-covered steel thimble in porcelain case, a pair of sharp metal scissors, and a variety of fancy needle cases made of bone and wood) are contained within a varnished wood case that is padded to protect its more fragile contents and set with a mirror that was used to reflect light onto stitchwork--an important feature in the perpetually dark, candle- or gas-lit world of the nineteenth-century.

Steampunk bracer constructed by R.H Mardigan Enterprises

The above is a streamlined steampunk version of the same tools. A workaday wooden needle case, brass thimble, miniature pincushion,² fancy brass scissors, and wooden spools of thread are mounted on a leather wrist guard. This "Tailor’s Assistant" is a compact solution that utilizes the "latest" Victorian technology (wooden spools were first introduced in the 1840s) to make a forearm-mounted sewing kit both stylish and practical.

1. Historical science fiction set often (though not exclusively) in Victorian London.
2. The tomato-shaped pincushion dates to the Victorian era when tomatoes were placed on the mantle of a new home to guarantee prosperity. Tomato stand-ins (red-fabric stuffed with wool or sawdust) were needed when the fruit was out of season. While tomatoes would be discarded when they started to spoil, the fabric substitutes were retained and put to use for pin storage. (Why are pincushions frequently made to resemble tomatoes?)

Agatha H. and the Airship City by Phil and Kaja Foglio

Agatha H. and the Airship City by Phil and Kaja Foglio

Agatha H. and the Airship City is a novelization of the first few installments of Phil and Kaja Foglio's Girl Genius comic. I honestly had no intention of reading it (the comic is quite wonderful and I saw Agatha H. and the Airship City as nothing but an unnecessary adaptation), but my resolve faltered when in the face of a library copy sitting in my bedroom (Russell checked it out intending to read it himself).

First things first - I have to say that I hate the cover art for Agatha H. and the Airship City in particular the portrayal of the novel's protagonist (cover-Agatha seems both emaciated and insipid to me). It boggles my mind that the publisher would commission art from an artist (it had to be commissioned because it clearly depicts characters from the novel) when the novel's authors include an artist, who has previously (and extensively) drawn the characters.

As expected I began Agatha H. and the Airship City with a healthy dose of skepticism. But I am happy to report that the more I read of the novel, the more I liked it, but still not as much as I like the comics. The storyline has been filled out and embellished (fuller backstories, for example), but so much of what is portrayed only through the art in the original is lost in the novelization and the tone, especially at the outset, is much bleaker.

Clockwork Century, Cherie Priest

A few weeks ago Russell collected a few of Cherie Priest's Clockwork Century books from the library for me. I'd been quite anxious to read them after hearing so much about Boneshaker (steampunk with zombies, oh my!).

He brought the three books pictured above--Boneshaker, Dreadnaught, and Ganymede--the first, third, and fourth installments in the series.¹ Happily the books in Clockwork Century series stand alone so it wasn't too problematic to skip Clementine, the second book.

I have to admit that I didn't enjoy Boneshaker as much as I expected to. I was enamored of the novel's premise (a Civil War-era Seattle ravished by a toxic gas, which causes zombism among other things, leaking from the earth after an unscrupulous scientist misuses new excavation technology), but less than enthused by its pervasive pessimism, slow pacing, and how much was expected of the reader in the way of suspension of belief (I'm not referring to the zombies or alternate history, but how characters interact with their environment and some of their decisions). If I hadn't already had Dreadnaught and Ganymede on hand I might not have continued on with the series.  I am happy that I did, though, because I liked the other two better than Boneshaker.

Priest's world becomes much more fully realized in Dreadnaught and Ganymede. Neither of these books take place primarily in Seattle, though Seattle's history and its role as the source of the toxic gas play an important part in the two stories.  The settings though more various in Dreadnaught (in the Southern theater of the American Civil War and cross country by rail) and Ganymede (New Orleans and its environs) are much more clearly drawn and realistic. Their characters are also more sympathetic.

I suppose it is just that Priest has found her stride by the time she writes the third book in the series. I'd recommend Dreadnaught and Ganymede unreservedly, but Boneshaker only as context for the other books in the series (though there are some really good things about it).

1. Clementine is the second.

books, giving and receiving

There were only three books among my outgoing holiday gifts this year.  I did not purchase any books for Russell since we went a bit overboard with book buying this year (remember Borders?).

From my dad's Amazon wishlist I selected, The Transformation of Bartholomew Fortuno by Ellen Bryson.

My mom received Betty Crocker's Best Bread Machine Cookbook to go along with her new bread maker (a gift from my dad). My mom is going to be doing a lot of experimenting with ingredient substitutions to I chose this book in particular because of a section it has on problem-solving, which is full of illustrations. Two other things in its favor: overwhelmingly good reviews and a structure that enables it to lie flat.

I got my sister a copy of The Hunger Games.
She wasn't particularly enthused, but I reminded her about how miffed she was with me when Twilight (the film) was released for not having previously informed her about the existence of the Twilight Saga.
Now, I legitimately thought she would refuse to read Twilight given its slow pacing and her general dislike of vampires and I don't even like the series (my ambivalence turned to hatred after Breaking Dawn).
Since The Hunger Games is coming out next year and I love Suzanne Collins' trilogy, I thought it would be irresponsible of me not to get her a copy of the book.

I received three books this year (all from Russell)

• City of Ships, the fifth Stravaganza book, by Mary Hoffman
• Goliath, the third book in the Leviathan trilogy, by Scott Westerfeld
• The League of Extraordinary Gentleman, vol 2.

I really wasn't expecting books, but I have to say that I was tickled pink to get the two novels as they were among my most wanted books.

quick thoughts on some recent reads

Beauty Queens by Libba Bray

While Beauty Queens came highly recommended (lots of good blog reviews and a personal recommendation from friend Jessica), I can't say that I really enjoyed reading it. I liked the novel's snarky tone; how it played on pageants and pageant parents, reality TV, Lord of the Flies, and miscellaneous other stereotypes; and the diversity of the girls, their backgrounds, preferences, and points of view. As much as I appreciated all those things about Beauty Queens, I found the narrative irritating more than anything else. Beauty Queens was not a quick read for me because I didn't really want to keep reading it.

Clockwork Heart by Dru Pagliasotti

I really enjoyed Clockwork Heart. The world in which Pagliasotti sets the novel is quite intriguing - the extremely hierarchical society and how class divisions are marked, the icarus class and their role in the society, the ways in which the world is different than other steampunky settings. Clockwork Heart is a romance with a love triangle and a mystery that will keep readers guessing.
I will say that I found the romance element of the story much more successful than the mystery, which was overly complex for a book that isn't to going to have a sequel to continue building on the less immediate threat. As far as I know, Clockwork Heart is a stand-alone novel, but I'd love to read more set in this world.

Maid to Match by Deeanne Gist

Historical romance set in Asheville, North Carolina circa 1899. Tillie is a senior parlormaid at Biltmore when she has a chance to become Mrs. Vanderbilt's ladies maid, position for which she's been groomed her entire life. Her priorities shift when Mack, twin of the undeniably handsome steward Earl, comes to live at Biltmore as a man of all work.
The protagonists of Maid to Match were a bit too righteous for my taste. While they each had some flaws, I didn't find them particularly believable. The author writes inspirational (Christian) romance, which accounts for the strict moral alignment of her characters.

Viridis by Calista Taylor

I hadn't heard of Viridis before it was mentioned in the steampunk reads discussion group on GoodReads. It was available as a free Nook-book (also free on Amazon for Kindle), so I figured that it couldn't hurt to download it.
Viridis is a steampunk romantic suspense novel and the first in a planned series. I enjoyed it. Good world-building that doesn't overshadow the storyline, interesting characters, romance, and mystery, but there was one glaring narrative inconsistency that's quite hard to overlook.
There's one part of the story that some readers may have trouble with and need to skim through.

Steampunk! out this week

Steampunk! An Anthology of Fantastically Rich and Strange Stories
edited by Kelly Link and Gavin Grant

I posted about Steampunk! back in June, but the anthology is out this week so it seems like the perfect time for another post.

There's a great review written by Steampunk Scholar up on one of the Tor.com blogs.

My favorite stories in the book were "Clockwork Fagin" by Cory Doctorow, "Everything Amiable and Obliging" by Holly Black, "Finishing School" (comic) by Kathleen Jennings, "The Last Ride of the Glory Girls" by Libba Bray, "The Oracle Engine" by M. T. Anderson, "Steam Girl" by Dylan Horrocks, and "The Summer People" by Kelly Link.

another trip to Borders, books found, and an idea

First of all, before I forget:
Those of you interested in the Borders liquidation might want to check out The Book Frog, who has been posting about her experience living through it. She's also gearing up to open an indy bookstore so her blog is very interesting reading.

We decided to run over to Borders on Thursday after work since the discounts had gone up (on Wednesday?) to 25-50%. Well, I didn't really want to go, but Russell did and I'd much rather go on a Thursday evening than on a busy weekend day. This time I actually prepared for the trip. I went over to my Amazon wishlist and made note of the current Amazon prices for some of the books on it.

Russell ended up buying two books -
1453: The Holy War for Constantinople and the Clash of Islam and the West by Roger Crowley from the history section. It was only 25% off, but the history section in our Borders was already decimated.
The Anti-Federalist Papers and the Constitutional Convention Debates by Ralph Ketcham at 40% off since it was housed in the politics section.

I didn't get anything. The prices on the knitting books (30% off) were still not as low as on Amazon. The general fiction/literature section was 30%, but again the prices on the majority of the books that were in stock were not competitive. YA books were only at 25% off (as were the genre fiction sections except romance, which was 40% off). At one point I had three books in my hands. Two were from my wishlist, while the third was one that just jumped off the shelf at me.

I put back the newly discovered book--The Map of Time by Felix J. Palma--first as it was hardcover with a high list price in addition to being an admittedly intriguing unknown entity. When we got home I looked it up. I'm happy I didn't get it at only 30% though since Amazon has it for 38% off.

The wishlist books--Shades of Grey by Jasper Fforde (which I reviewed in February after listening to an e-audio version from the library) and The Particular Sadness of Lemon Cake by Aimee Bender (which is a personally much-anticipated book club section for October)--were both general fiction trade paperbacks and were ever-so-slightly cheaper at Borders than on Amazon. I might have bought these two, but the longer I stayed in the store the more I felt irritated with the shopping experience (it was a bit zooy as they were closing early for inventory) and unable to justify spending the money given that there were more than one copy of each (2 of the one, 3 of the other) still in stock.

Also, I finished reading the book I bought during our first Borders liquidation trip (see post), The Girl in the Steel Corset by Kady Cross. I have to admit that I was disappointed in it. Not enough romance for a book published by Harlequin. Two different love triangles, but if I remember correctly only one kiss in the entire book. If there had been enough romance I might have been able to overlook the other problems I had with the book (two love triangles, far too much in the way of anachronism, the author always using the same adjective to refer to one of the character's hair, how the author skipped over the big action, etc).

I know many people are upset about the downfall of Borders and worried that their book-buying options will be limited. Yesterday as Russell and I were planning to visit a local used book shop (to check it out and see if we could pawn some of our weeded books off on them), an idea occurred to me. Russell and I will make an effort to visit local (and not-so-local) bookstores and then feature them on the blog. Expect to see the first of these features in the next week.

The Dream of Perpetual Motion by Dexter Palmer

The Dream of Perpetual Motion by Dexter Palmer

As I mentioned before, I picked up The Dream of Perpetual Motion at the Strand (for some reason this bookstore requires the definite article). I was intrigued by the novel's title and cover design (art and text).

I can't say that I enjoyed reading The Dream of Perpetual Motion, but I did find it strangely compelling.¹ I think I may have enjoyed it more if I had a better grasp on The Tempest (I've never read this play - horror of horrors!), which is heavily referenced in the novel.

The Dream of Perpetual Motion is around the turn of the (20th) century in a city called Xeroville. The "age of miracles" is gone, but only just.² It is now the age of technology, of mechanization, of The Future. No one has done more to usher in this machine age than Prospero Taligent, inventor, entrepreneur, originator of mechanical men, and adoptive father of Miranda.
The novel's protagonist and narrator is one Harold Winslow (read: Ferdinand), a greeting-card writer, who has been imprisoned on a zeppelin powered by perpetual motion technology. Harold is alone, but for the cryogenically frozen body of his jailer (Prospero), the disembodied voice of his only love (Miranda), and the automata maintaining the zeppelin. The text of The Dream of Perpetual Motion is that of the journal in which Harold explains how exactly he came to be in his current predicament, interjecting his narrative with brief updates on his present circumstances.

I found The Dream of Perpetual Motion profoundly disorienting. The novel's prose is evocative and often dreamlike. It is for the most part very slow-paced and the emphasis on language (rather than plot) tends to slow it down even more.

I've been thinking that I didn't like The Dream of Perpetual Motion, but that can't possibly be true, not when I look at the evidence. I've already confessed on this blog to dog-earring my own books so I can freely admit that I did so to my copy of The Dream of Perpetual Motion. Not to keep my place, but to mark pages to which I wanted to return. Ten of them. Ten really is quite a lot for me, a book of this size would usually only yield 1-3. Here are a couple of passages that I wanted to revisit:

"Write down what you think happened, or what you believe happened, of something like what might have happened. All these things are better in the end than writing down nothing at all; all are true in their own way" (113).
"an imperfect grace is never what we seek when we fantasize about our futures, when we dream of a long life with someone we claim to love or we build machines that we read about in science fiction. We want all possible things made actual, the perpetual possibility of perfection, the best of all futures all at once. But whatever we accomplish in the end never measures up. We always fail. We always fall short. Because when we see the perfect thing before us we fell we have to touch it. And then it vanishes or bruises or turns to show its hidden flaws or turns to dust" (340-341).

That being said, the bits of the novel that I found really and truly interesting were few and far between. Thinking back, I keep remembering little bits and wishing that they could have been expanded on.

If I haven't made it clear already, The Dream of Perpetual Motion is no steampunk adventure novel. Yes, I think we can safely consider it steampunk, but The Dream of Perpetual Motion is literary to a fault. Palmer has created an interesting world, but its obscured rather than illuminated by his prose.

I'm going to leave The Dream of Perpetual Motion among my other books for now. I feel like I should reread it after reading The Tempest, but I'm not altogether sure that I want to.

1. I'll admit that I've been procrastinating. I haven't wanted to post about the novel because I really have no idea what to write. The draft of this post has been stalled for ages, but I'm making myself push through today whether I like it or not.
2. I was so intrigued by the references to this earlier time period. Here's one: "By the time the touring Exposition of the Future came to our town, all the signs were in the air that the age of miracles was almost at its end. It wasn't uncommon to see sights like an angle staggering down the middle of a street in broad daylight, weaving like a drunkard, clutching its hand to its stomach and vomiting up blood. My father was a metalsmith, and more than half his income in those last days came from demons, who'd come to the back door of his establishment under cover of night, sacks of silver clutched in their clawed hands, begging him to use his tools to file off their magnificent curling horns" (190-191).

The Parasol Protectorate series by Gail Carriger

Since Heartless, the fourth book in Gail Carriger's Parasol Protectorate series, is dropping this week, it seems like the perfect time to write about the series, which I started reading just this month.

The first three books in the series are Soulless, Changeless, and Blameless. As with any series, the synopses of the later books include spoilers so read them at your own risk.

The Parasol Protectorate books are not particularly easy to classify. They're steampunk paranormal romance and/or mysteries.¹ They're set primarily in a Victorian England (Queen Victoria is a secondary character) that has fully integrated paranormals (in this case werewolves, vampires, and ghosts) into society. It is widely know that humans with an excess of soul can become ghosts when they die, they can also be successfully turned into vampires or werewolves (humans with a normal amount of soul, however, don't survive the process).

The protagonist of the series, one Alexia Tarabotti, is a bit of an enigma. She's half English and half Italian, tall and curvaceous, but darkly complected with an overlarge nose. A confirmed spinster at five and twenty. Alexia's mother never even bothered to put her on the market, given her looks, strong personality, and bluestocking tendencies. She's also a preternatural, a very rare person lacking any soul whatsoever, a trait she inherited from the Italian father she never knew. While this fact is widely known within the paranormal community, polite society knows her only as eccentric.

The books are light, but filled with personality. The world Carriger has created is interesting (I particularly like that the success of the British empire is tied to the integration of the paranormal elements into society) and the restrictions she puts on the paranormal species seem to be in line with their various mythoi and make their integration into society seem like something the populace would actually accept.

Alexia is unique and likable. The series' secondary characters are a wonderfully full cast and often provide additional comic relief. Two of my favorites are Ivy and Prof. Lyall. Miss Ivy Hisselpenny, Alexia's best friend, has a weakness for atrocious hats and a gift for garbling the English language (she's constantly misusing idioms and the like). Professor Lyall is the long-suffering beta of the Woolsey pack (the focus of his academic research is quite funny, but I won't mention that here since it doesn't come up until book 3).

After reading Soulless, I placed an order for the other books straight away (clearing out my Amazon gift certificate balance). Once Changeless and Blameless arrived, I inhaled them.

Amberkatze of Amberkatze's Book Blog has an interview with Carriger and a drawing for a signed copy of Soulless (book 1) open through June 30.

If you like the clothes featured on the American covers of the Parasol Protectorate books, you may want to check out Clockwork Couture. Steely Daniella's Corseted Bustle Skirt is featured on the covers of Heartless and Timeless (forthcoming March 2012). The Victorian 2 Piece Traveling Suit appears on the covers of the first three books.

Also, Carriger has a couple blogs: her main blog and her recently launched Retro Rack.

1. Soulless is paranormal romance with some mystery/suspense, while the other books tend more toward the mystery side of things.

The Iron Duke by Meljean Brook

The Iron Duke by Meljean Brook

As I mentioned before, I ordered The Iron Duke (with Amazon giftcard balance) after reading this post on Bookshelves of Lesser Doom.

I started and finished it yesterday while Russell has happily learning how to play Wilderness War, one of the board games I got him for his birthday (yes, we have a board game collection).

The Iron Duke is the first in Brooks' Iron Seas series (Heart of Steel is scheduled for a November 2011 release).

I haven't read Brooks before, but The Iron Duke was more or less what I expected. Brooks does a wonderful job of world building (she continues to reveal aspects of the society to the reader throughout the novel subtly) and the setting she's imagined is complex and intriguing. The hero and heroine were both interesting characters with involved backstories. The romance, however, was boilerplate: beautiful, underprivileged girl must give herself to brutish, rich man to save family, he turns out not to be so much of a brute and she falls in love. There's a scene that may be upsetting to some readers. It didn't bother me, but I'd been warned of a possible rape scene so I was expecting something much worse than what I actually read.

I know that authors rarely if ever have control over the coverart for their novels, but after reading The Iron Duke I am bothered by how wildly inappropriate the cover's depiction of Rhys is. It's not just that the depiction is inaccurate, but I can't elaborate further without including backstory spoilers.

steampunk defined

Whenever I mention steampunk in a post I get questions about exactly the term means. To me my explanations always seem a bit bumbling.

Happily I can report that Sci-fi and fantasy giant, Tor Books has a great blog post from 2009 that explains the both the literary genre and the subculture well: Steampunk 101 by G. D. Falksen.
For reference, Falksen is the guy pictured with the fantastic leather and brass prosthetic arm.

I'd be remiss if I neglected to mention that I didn't happen across said post on my own. I first saw it referenced on Steampunk fan page on Facebook. There's that Falksen image (it's everywhere!), I don't know that he's the one who maintains the page though.

Steampunk! An Anthology of Fantastically Rich and Strange Stories

ETA: Happy International Steampunk Day!¹

This particular title isn't due out until October, but I wanted to get something out while I still had my copy as reference (my Adobe Digital Editions tells me that my copy is due to expire in less than 24 hours). I'll likely post about Steampunk! again closer to its actual release date, but here's something to whet your appetite.

Steampunk! An Anthology of Fantastically Rich and Strange Stories
edited by Kelly Link and Gavin Grant

Firmly rooted in Victorian London, steampunk has often been a bit too Anglo- and Eurocentric². One of the things that's so refreshing about Steampunk! is that its diversity of setting, story, character, format. Something that was achieved by asking the anthology's contributors, whose ranks include both big names and virtual unknowns, for "stories that explored and expanded their own ideas of what steampunk could be" (8).

I read Steampunk! over the course of a month or six weeks. While I know that anthologies aren't meant to serve as a unified whole, I usually prefer not to read them straight through. I do almost always read the stories in the order they are presented, but I like to be able to sit on one before I start the next. I quite enjoyed being able to read Steampunk! leisurely.

I would like to say that each of the works collected in Steampunk! was absolutely wonderful, but I can't. Elizabeth Knox's "Gethsemane" caused me vexation; I didn't "get it" at all. I think I was too tired when I tried to read it and it's one of the longest stories in the anthology so I decided to skip it, fully intending to revisit it at some point before posting my review (that is until I realized that my e-galley was about to expire). Other than that (and please do note that the fault might very well be my own), the anthology was full of win.³

At the moment my favorite story of the bunch is Dylan Horrocks' "Steam Girl." I didn't expect to prefer this one because it is (at least in my opinion) one of the least steampunk contributions to Steampunk!³ (the titular character's alter ego exists in a imaginary? steampunk world, but she and the story's protagonist are firmly planted in the realistic here-and-now). "Steam Girl" is, however, perfectly crafted.

I should also note that Steampunk! is geared toward the young adult market unlike the steampunk anthologies of which I am familiar.

Steampunk!'s table of contents, with links to extracts when available (my favorites are starred):

• "Some Fortunate Future Day" by Cassandra Clare
• "The Last Ride of the Glory Girls" by Libba Bray*
• "Clockwork Fagin" by Cory Doctorow*
• "Seven Days Beset by Demons" (comic) by Shawn Cheng
• "Hand in Glove" by Ysabeau S. Wilce
• "The Ghost of Cwmlech Manor" by Delia Sherman
• "Gethsemane" by Elizabeth Knox
• "The Summer People" by Kelly Link*
• "Peace in Our Time" by Garth Nix
• "Nowhere Fast" by Christopher Rowe
• "Finishing School" (comic) by Kathleen Jennings*
• "Steam Girl" by Dylan Horrocks*
• "Everything Amiable and Obliging" by Holly Black*
• "The Oracle Engine" by M. T. Anderson*

If you've clicked on nearly any of the table-of-contents links, you'll have realized that the book has a great website. If you haven't, visit StrangeAndFascinating.com to learn more about the book.

Steampunk! is going on my Amazon wishlist. I'd love a copy, but I'm ornery and I won't buy it on principle. If I'd gotten a paper rather than digital advanced reader copy, I would have been able to keep it as long as I wanted. I'm really not supposed to be buying books and I'm not about to break my rules for a book I would otherwise have gotten for free.

1. Apparently June 14, H.G. Wells' birthday (except it's not actually his birthday), has been dubbed Int'l Steampunk Day. A bit more info here and here.
2. See Multiculturalism for Steampunk, especially the 1 April 2011 post
3. I can't bring myself to edit out this colloquialism (internetism?) even though it's not something I'd use in my everyday speech.

disclosure: I received a review copy of Steampunk! from Candlewick Press via NetGalley. See e-galley snark above. Like I said, ornery.

Leviathan

Leviathan by Scott Westerfeld

I've been looking forward to reading Leviathan since I happened across a copy while browsing at Barnes and Noble. The publisher's synopsis is in this post and if you go to this page and scroll down you can see a really excellent trailer.

Leviathan is set at the dawn of the Great War, but in an Europe much different from our own historic Europe. In the world of Leviathan, Europe is divided between Clankers (powers that employ high-tech steam-driven machinery, ie. Central Powers) and Darwinists (who rely on fabricated animals created through advanced biotechnology pioneered by Charles Darwin himself, ie. Allies). The novel's main characters are Aleksandar, the only son of the murdered Archduke Franz Ferdinand, and Deryn, a teenage girl trying to pass as a boy and join the British air force.

I enjoyed Leviathan so much that I read it with conflicting desires: I wanted to get through it quickly to find out what happens, but I also wanted to savor it. I'm very much looking forward to the sequels (apparently Leviathan is the first in a four-book series).

I liked the characters. I thought the story was compelling (and that there was enough meat to it to nourish a series). I was fascinated by the world Westerfeld was able to create. And, I thought Keith Thompson's illustrations were wonderful.

Highly recommended. Russell is reading our copy now and then I'm loaning it to a friend.