Allegiant by Veronica Roth

source: gift

Allegiant by Veronica Roth
series: Divergent Trilogy (3)

I'd been looking forward to the conclusion of Veronica Roth's Divergent Trilogy and was planning to order Allegiant when Russell informed me that I already had a copy on order courtesy of one of his sisters, who shopped my Amazon wishlist for my birthday. Safe in the knowledge that I'd be getting the new novel on the day it was released I set about rereading the first two installments in the series, Divergent (see post) and Insurgent (see post). I'd read Divergent at least twice so I remembered its twists and turns fairly well. Reading Insurgent was a bit more of a rediscovery for me since I'd only read it once before.

It is difficult to write much about books like Allegiant (a later installment in a series, to which one is emotionally attached) without including spoilers for earlier books in the series. Suffice it to say that I think that Roth did a good job following up on the revelation at the end of Insurgent and answering readers' lingering questions about the world she created for her characters. Allegiant is wonderfully complex with lots more character development and revelations about individual characters' strengths and weaknesses. A powerful end to the series.

One thing that I found disorienting upon starting Allegiant was that the narrative jumped back and forth from Tris' and Four's points of view. I don't usually have trouble with multiple POV novels, but having just reread Divergent and Insurgent, which are told from Tris' perspective, I found the change jarring. That being said, I understand why Roth changed the narrative structure for this book and I don't think I would have found it problematic at all if I hadn't just gorged on the earlier books.

a few multiple POV novels

Or, short reviews of books read during June 2013, part 1

The Blood of the Lamb by Sam Cabot (source: Netgalley)
forthcoming: August 6, 2013

Catholic Church conspiracy thriller with vampires.
The novel is well-written, but its subject matter is divisive. Obviously if you dislike and/or are offended by books of this type, you should give The Blood of the Lamb a miss. Its multiple point-of-view narrative may also turn off some readers (for what it's worth, there's nothing especially problematic about how Cabot handles the various characters and their points of view). Otherwise, I think this cerebral thriller is definitely worth a read. It's written by two people¹ who clearly know how to write and, in the context of the novel, the paranormal elements don't seem unrealistic. I particularly recommend The Blood of the Lamb to fans of vampire novels, as I think they'd appreciate Cabot's take on them.

The Death of Bees by Lisa O'Donnell (source: public library)

Debut novel by award-winning screenwriter.
I discovered The Death of Bees while browsing the new arrivals section of my local public library. I was intrigued by the book-flap text, but unsure as to whether I'd like the novel or not. The Death of Bees is dark and gritty (set in a Glasgow housing estate²), but compelling.
I, for one, like multiple POV narratives and I really appreciated how O'Donnell created such distinct voices for her three point-of-view characters: a fifteen-year-old breadwinner, whose straight-A average belies her rough-and-tumble make-it-work attitude about life; her gifted, but maladjusted twelve-year-old sister; and their doddering, Scarlet-Lettered neighbor.

Scarlet by Marissa Meyer (source: public library)
series: Lunar Chronicles (2)

Little Red Riding Hood set in a dystopian future.
The sequel to Cinder (see post), Scarlet introduces the eponymous character (and her Wolf) in addition to continuing the overarching story begun in Cinder.
After reading Scarlet, I'm even more keen on this series (the Lunar Chronicles) and recommend it to both adults and young adults who like science fiction, paranormal fiction (romance or not), retellings of fairy tales, dystopian fiction, or any of the above. Cinder is the book that I gave my dad for Father's Day this year and I may try to lure my reluctant-reader-due-to-dyslexia sister with the audiobook.

footnotes:

1. Sam Cabot is a pseudonym for the writing team of Carlos Dews and S.J. Rozan.
2. Housing project.  When I read "housing estate" in a British-authored book, my first instinct is not to think of the projects.  "Estate" sounds so much nicer, but I'm sure that's because I don't have the relevant cultural baggage.

More Disclosure: I received a review copy of The Blood of the Lamb from Blue Rider Press (Penguin) via NetGalley.

Safekeeping by Karen Hesse

Safekeeping by Karen Hesse

Teenage Radley Parker-Hughes is volunteering at an orphanage in Haiti when the President of the United States is assassinated. Despite the reports that have managed to filter to her remote location, Radley decides that she must return home to be with her parents during this time of unrest. When she arrives in Manchester, New Hampshire, she finds the country under martial law. Her parents' phone has been disconnected. She can't take a bus to Battleboro because she lacks the appropriate travel documents for crossing state lines. Radley's only choice is to walk home along country roads, trying to avoid being caught out after the newly imposed curfews.

With no money (her emergency credit card is now a useless piece of plastic) or food, Radley is reduced to foraging in dumpsters along the way. That she manages to arrive home safe and sound seems like a victory. Her parents, though, are not at home. It seems that they have disappeared, leaving all of their belongings behind. Radley locks herself inside the house, hiding whenever the police make their increasingly frequent visits, and eating all of the food in the pantry. Eventually she resigns herself to the pointlessness of remaining in Battleboro and decides to go to Canada...

I discovered Safekeeping among the featured recently-acquired titles in the teen room of the public library. I was sold on the cover art and flap text, especially this bit:

Illustrated by 90 of her own haunting and beautiful photographs, this is a vision of a future America that only Karen Hesse could write: real, gripping, and deeply personal.

But I have to admit disappointment with the novel. While I do appreciate that Safekeeping is a stand-alone novel,¹ I am dissatisfied with how easily Hesse ties everything up. That, combined with the fact that readers are never given a full backstory for the political and societal unrest, leaves the dystopian premise feeling insubstantial.

The story is very much character-driven and Radley's coming-of-age is the true center of the novel. Hesse does a wonderful job bringing Radley up and using the privations of the situation to facilitate that up-bringing. My disappointment is in how easy everything seems to be for Radley (all the truly awful things happen to other people) and how distant the threat seems to be. In short, Safekeeping seems like Dystopia light.

L: A Novel History² (which I read earlier this year) is constructed around a similar blip-in-the-history-of-the-nation kind of Dystopia. However, L's Dystopia was as horrifying (or more so) as any other I've encountered in fiction (to the point where I could only read the novel in small doses). What I wanted for Safekeeping was for more of the feeling that hell had broken loose (that phrase is used on the flap as well as within the novel) even if only for a time. Then again, limiting the reach of the threat may have been a goal. It does make the novel more palatable for younger readers.

The photographs are indeed both haunting and beautiful. I also love the idea that Hesse took them while tracing the same route she has Radley walk (as described in "about the author," 293-294) and that the "feet-on-the-ground research contributed to the authenticity of Radley's narrative." However, the placement of the photographs within the novel is inconsistent. Sometimes a photo matches the prose almost too perfectly, while at others the image seems at odds with the text.

One final comment -
The library copy of the novel was marked with a science-fiction spine sticker. That categorization is so off that I can only imagine that dystopian fiction is now considered (at least by some) a subgenre of SciFi. In any case, there is nothing in Safekeeping that I associate with science fiction. The novel is set in the future, but that imagined future is so near that it could happen tomorrow.

1. I do like series, but is seems like so much that is being published nowadays (especially in YA fiction) is a trilogy or quartet or longer series.
2. I received a review copy via NetGalley.

Insurgent by Veronica Roth

Insurgent by Veronica Roth
series: Divergent Trilogy, 2

Considering how much I liked Divergent (see post), it's no surprise that I enjoyed its sequel, Insurgent.

Insurgent continues the overarching storyline begun in Divergent. During the course of the novel readers learn more about the other factions (and the factionless) and how the groups relate to each other. We also get a better idea of how five-faction society functions as a whole and how and why it came into being.

Beatrice and her love interest from Divergent maintain their relationship¹ and it continues to be complex and somewhat complicated.

On a side note, I love Insurgent's cover art. It's beautiful and compelling with great movement. It also echoes Divergent's cover in a nice way while still standing on its own legs.

1. Good. I dislike nothing more than series that follow the new-installment-new-love-interest modus operandi.

Cinder by Marissa Meyer

Cinder by Marissa Meyer
series: Lunar Chronicles, 1

work colleague: So, what are you reading now?
Karen: Oh, it's a retelling of Cinderella set in a dystopian future. She's a cyborg.

In Cinder we have a classic fairytale set in the (far distant) future. The moon, now a nation known as Luna, is populated by a race of mutant humans with mind-control powers (which most humans consider magic, but is described by the scientifically minded as the ability to manipulate bio-electric energy).¹ After the devastation of World War IV, Earth's remaining nations signed a peace treaty. But, while there is peace on Earth, humans are threatened both by a worldwide pandemic, a plague called letumosis, and by the possibility of war with Luna.

Linh-mei (aka Cinder) is a teenage mechanic living in New Beijing, capitol of the Eastern Commonwealth. While Cinder survived the airship accident that killed both her parents, the surgeries that saved her left her less than 70% human. She is a cyborg, a second-class citizen. Her adoptive father contracted letumosis shortly after her assuming guardianship of Cinder, her care was left to his wife. Adri resents being burdened with Cinder, of whom she is ashamed and whom she only tolerates because of Cinder's ability to support the family.

When Prince Kaito, first in line to the throne, seeks Cinder out to repair his personal android, he is unaware that she is a cyborg...

I have to admit that I was a bit reticent to read Cinder. Given its premise,² I figured that the novel would either be absolutely fantastic or perfectly horrendous depending on its execution. But I overcame my reluctance when I happened across Cinder among my library's e-audiobook offerings.

While it would have been easy for debut novelist Meyer to the overdo it with Cinder. There are a lot of different elements that she has to balance while still remaining true to the original story. But Meyer manages brilliantly. Cinder is true to the original while being something completely new. I still feel like the inclusion of the paranormal elements³ was a bit much and likely unnecessary, but they didn't bother me nearly as much as I would have expected them to. Cinder is a strong, sympathetic character. While she's still an unloved step-child with the ability to (unintentionally) beguile a prince, Cinder is so much more than that.  She is independent, brave, and a problem-solver who doesn't need a fairy godmother to get her to the ball.⁴ Prince Kai is much more nuanced than the traditional Prince Charming character and his decision about Cinder is more complicated than simply overcoming prejudice. Some of the secondary characters are a bit one-dimensional, which is almost to be expected in a fairytale considering that fairytales are full of stock characters, but others are perfectly crafted.

I will definitely be continuing on with this series. Per Meyer's website, the second installment Scarlet will be released in Feburary 2013 and will focus on a Little Red Riding Hood character.

1. Shades of vampirism, not blood-sucking, but being able to glamour humans and an aversion to mirrors.
2. Let's review how much is packed into this one story. We have a retelling, set in a dystopian future with a heavy emphasis on science fiction and a dash of the paranormal. I'm overwhelmed just setting that out.
3. There's more than what is mentioned in footnote 1, but explication would involve spoilers.
4. There is a fairy godmother character, but Cinder comes to her rescue rather than the other way around.

Pandemonium by Lauren Oliver

Pandemonium by Lauren Oliver
series: Delirium Trilogy, book 2

Pandemonium is the sequel to Lauren Oliver's Delirium and the second in an expected trilogy. I was disappointed by Delirium when I read it last year (see post), but that didn't keep me from feeling like I needed to reread it before I sent my copy (along with a bunch of other books) off to live with Russell's voracious-reader sister. I hadn't been planning on continuing with the series, but given the fact that I was rereading Delirium, I decided to put myself on the library waiting list Pandemonium.

And, I'm glad that I did because I liked Pandemonium better than Delirium. Again in Pandemonium I was unhappy with how the romance played out.¹ But, Oliver gives us a lot more information about the society in this second installment.  There's more menace and suffering and because of that Pandemonium works much better as a dystopian novel.

1. This is vague and unspecific, but it's still a bit of a spoiler so continue with the footnotes at your own risk.
   
   
   SPOILER - And we have a love triangle to look forward to in book three, ugh.

quick comments on recent reads

The False Friend by Myla Goldberg

Lured by The False Friend's synopsis, I expected the novel to be something that it's not. It is short, spare, and well-written. The novel deals with childhood bullying, the unreliable nature of memory, and how difficult it is to know those closest to us. Its revelations are myriad, but they come from unexpected quarters. I have to admit that I found The False Friend unsatisfying. I found the protagonist increasingly unsympathetic and the ending unsatisfying (even though I understand why Goldberg ended the novel the way that she did).

Feed by M.T. Anderson

Set in a dystopian future where the internet is hardwired to everyone's brain. Anderson incorporates interruptions by targeted advertizing into the narrative to help readers understand the experience of being plugged into the feed. If I had been reading Feed, I would have skipped over those sections, limiting the annoyance factor, but I listened to the audio version, which forced me to fully experience these tics in the narrative. Feed is a cautionary tale, much darker than a lot of the books that have been pushed out during this craze for dystopian (young adult) fiction.

Miss New India by Bharati Mukherjee

A bildungsroman that explores the theme of "the New India" (a descriptor I find a bit perplexing). Anjali (Angie) Bose runs away from home and an arranged marriage assisted by an expatriate American teacher who believes in her potential for a better life than small town Gauripur can offer her. Angie travels to Bangalore where she muddles along, though a series of increasingly unbelievable amount of plot twists, almost in spite of herself. The highlight of Miss New India is its cast of secondary characters.

Moonstone and Moon Rise by Marilee Brothers

I only read the first two installments of Marilee Brothers' Unbidden Magic series even though I had a review set of all four titles (Moonstone, Moon Rise, Moon Spun, and Shadow Moon). I found Moonstone to be a somewhat standard teen paranormal romance: nothing to write home about, but interesting enough to continue with the series considering the fact that I already had the next book at hand. Moon Rise, however, opens with a serious series fiction infraction: the love interest from book one (who, I might add, was a more interesting character than the protagonist herself) is inexplicably missing in action allowing both author and protagonist to cultivate a new love interest more in line with the second installment's storyline. I hate when authors do this: throwing out all the work they did getting their readers invested in a relationship. I finished Moon Rise--which, I should add in Brothers' defense, does end with a teeny bit of explanation about the absence of Moonstone's love interest--but I had no desire to continue on with the series.

Perfume: The Story of Murderer by Patrick Sueskind
translated from the German by John E. Woods

I've been meaning to read Perfume for ages. It was first published in 1985 and I've had a copy on my bookshelf for at least four years. An olfactory-genius serial killer in 18th century France. The pacing is slow (sometimes excruciatingly so), but the language (particularly Suskind's ability to put smells into words) is wonderful.  What I found most interesting  were the descriptions of craft of perfumerie: the process for making absolutes and the like.

disclosure: I received a review copy of Moonstone and Moon Rise from Bell Bridge Books via NetGalley.

quick thoughts on a few recent reads (all from the public library)

The Chosen One by Carol Lynch Williams

An e-audiobook from the library. (Ebooks I can probably take or leave, but e-audiobooks I love).

The Chosen One is a work of contemporary fiction aimed at the young adult-audience. Set in a polygamist community and dealing with the abuse and abuse of power rampant within it, The Chosen One reads like a made-for-TV movie.

A bookmobile features prominently in the story. However the novel's 13-year-old narrator and protagonist insisted on referring to it nine times out of ten as "the Ironton County Mobile Library on Wheels," which was endearing at first, but quickly became irritating.

Crossed by Ally Condie

I read, but never posted about Matched, the book to which Crossed is a sequel. I hadn't planned to read Matched, one of 2010's mass of dystopian YA releases, after reading another to those releases (Delirium by Lauren Oliver, see post) that featured a society with Society-determined marriages, but it happened to be available for download on a day that I was browsing the library's e-audio offering so I checked it out. Since most of my preference predictions about that crop of books were wrong,¹ it should come as no surprise that I liked Matched.

The authoritarian society depicted in both Matched and Crossed is more complex than those in some of the other dystopian releases (yeah!), much more so that I expected, and its depth is revealed slowly to both protagonist and reader. The series also features a group of individuals referred to as the Archivists (expect a post on that in the near future).

I didn't enjoy Crossed as much as Matched, but considering that Crossed is the second book in a planned trilogy that's almost to be expected.

A History of Venice by John Julius Norwich

Russell came back from the library one day and said that he'd seen a book he thought I might like, a history of Venice, but that he hadn't picked it up for me since he wasn't sure what my reading schedule looked like. My reading schedule, such as it is, is nothing but flexible and I love variety so I asked him to bring the book home next time he went to the library.

I have to admit that I was overwhelmed when he presented me with John Julius Norwich's 736-page A History of Venice: so fat, such fine print. Norwich starts with early settlements in the general area of the Venetian Republic (late Roman period) and follows through until Napoleon conquers the Republic. I think that I made it through the introduction and four chapters before we had to return the book or suffer over-due fees. I'm not sure that I'll check it out again, though. I suspect that there is another Venetian history out there that would be a better fit for me. From other reviews I've read it seems like Norwich continues to focus on political and military chronology while generally neglecting all the other (in my opinion) more interesting aspects of the Republic's history.

1. I was disappointed by Bumped by Megan McCafferty (see post) and the aforementioned Delirium, both of which I expected to love, and pleasantly surprised by Divergent by Veronica Roth (see post), which I'd more or less decided to pass over and only read because I won a copy from Kaye at paper reader.

my thoughts on Hunger Games fever

I love, love, love the Hunger Games Trilogy,¹ but I’m not planning on seeing the movie.

While I'm pleased that the movie (and surrounding media hype) has helped many to discover the books, I'm avoiding it like the plague. I have decidedly mixed feelings about film adaptations (some I love, some I loathe), but because I love the series so much I’m resisting Hollywood’s need to show me how they think characters, places, scenes should look. And, of course there are some bits that are horrifying enough in my head that I really really don’t need to see them played out on the big screen.

The movie buzz has been irritatingly pervasive: tv, print media, the blogosphere, merchandise...
by the way I highly recommend SyFy's FaceOff, a Project Runway-like reality show focusing on special effects makeup, despite the fact that they felt the need to beat into viewers heads trumpet the judges' involvement with the HG movie.

In case any of you are wondering, I'm not going to be getting nail polish. I understand that a HG nail polish collection can be viewed as tongue-in-cheek, but I can't get past how out of line it is with the overarching theme of the series.

1. Hunger Games, Catching Fire, and Mockingjay.

series (re)reading

Series reading and rereading has been a bit of a theme for me lately. I suppose that it's because in the wake of busyness and stress, I long for the comfort of the expected.

I'm loaning one of my new coworkers the Hunger Games Trilogy (I gave her book one yesterday after a harefooted read-through on Friday) so I'm on a binging on them in anticipation of not having ready access. Oh, how I love these books! I finished Catching Fire just now and am forcing myself not to jump right into Mockingjay
A Hunger Games movie is forthcoming, but I have no desire to see it. What I dislike most about film versions of books is how they manage to completely override our own images of how things, people, and places in the book look. That's not so much a problem with books like Pride and Prejudice that are constantly remade, but for others there's often only one film version and that version overshadows the originals.

Last year I read Old Man's War by John Scalzi over the Thanksgiving holiday when I ran out of reading material. It's not a book that I'd normally pick up (see post), but my dad recommended it. I was pleasantly surprised by it and have subsequently picked up the follow-up books (again from my dad): The Ghost Brigades, The Last Colony, and Zoe's Tale.
I read The Ghost Brigades recently and will likely be tackling the other two books in short order.
I usually find science fiction to be somewhat inaccessible (it's a bit curious to me that science fiction films and television shows are so accessible when their written counterparts are so often not), which is why I tend to steer clear of it, but this series is really an exception. I recommend it for science fiction lovers as well as for people like me who don't normal read scifi.

I've been in a book spiral for the Percy Jackson and the Olympians books. What's a book spiral?, you ask. It's a way of circulating all the books in a series to a set of dispersed readers. Person A reads book 1 then sends it to B, who sends it to C, who send it to D, ..., who sends it back to A. While 1 is circulating, A reads book 2 and then starts to send it on its way. In this was all the books in the series are shared (one at a time) with each participant and then sent back to the originator. How long it takes to receive each book depends on the number of people before you in the queue, how quickly each reads, how far the books have to travel, and the efficiency of the postal service(s) involved.
I read The Lightning Thief and The Sea of Monsters in December and The Titan's Curse in February. The Battle of the Labyrinth arrived this month.
I've really enjoyed this series. I like how Riordan incorporates Greek mythology (including many lesser known creatures) into his stories. One of the things I've appreciated most is how Riordan made things that are usually considered negative (dyslexia and ADHD) into indicators of superhuman gifts because I hope that kids who suffer for one or both of these things might feel a bit better about themselves after reading this series.

I had to admit that while I've collected all the books in Lemony Snicket's Series of Unfortunately Events series, I've never managed to read it all the way through (I even have The Tragic Treasury, but I forbid Russell to play in my presence because the songs are such earworms). I've read so many other books since the last time I picked up a Snicket title that I wanted to start from the beginning, The Bad Beginning. So far I've read that, The Reptile Room, The Wide Window, and The Miserable Mill. Four down, nine to go!

Divergent by Veronica Roth

As I mentioned earlier this week, I won a copy of Divergent from Kaye at paper reader. I wasn't planning on posting about Divergent this weekend. I have lots of to-be-written and to-be-finished posts in my queue and I've posted about two YA dystopians recently¹. But, I read it from start to finish on Friday, staying up way past my usual bedtime to do so, and it's the first time I've done that in quite a while so I figured Divergent deserved quick treatment.

Divergent by Veronica Roth

Decades ago our ancestors realized that it is not political ideology, religious belief, race, or nationalism that is to blame for a warring world. Rather they determined that it was the fault of human personality--of humankind's inclination toward evil, in whatever form that is. They divided into factions that sought to eradicate those qualities they believed responsible for the world's disarray. [...] Those who blamed aggression formed Amity. [...] Those who blamed ignorance became the Erudite. [...] Those who blamed duplicity created Candor. [...] Those who blamed selfishness made Abnegation. [...] And those who blamed cowardice were the Dauntless. (42-43)

Beatrice Prior, who grew up within the self-sacrificing Abnegation faction, has reached the age when she must make the biggest decision of her life. She, like all sixteen-year-olds in her post-apocalyptic Chicago, is evaluated to determine the faction for which she's best suited. While the evaluation results are stored, they do not determine placement. Using the evaluation as guidance, Beatrice must chose with which faction to ally herself. She'll still have to pass her chosen faction's initiation. If she doesn't, she'll spend the rest of her life as a factionless on the outskirts of society.

On the day of her evaluation, Beatrice is unsure about which faction she'll choose. When her result is anomalous, Beatrice has more questions than before and only one day to make the decision. Beatrice goes with her gut and chooses Dauntless² despite the fact that her decision might mean that she'll never see her parents or brother again. The Dauntless initiation is much more intense than Beatrice, who renames herself Tris, imagined and the things she learns during it make her question the status quo.

I really enjoyed Divergent (I assume that's obvious based on what I posted above) and, while it wasn't perfect, it didn't disappoint me. Readers don't receive any information about what big, apocalyptic event (if any) caused society to break down and reorganize in this way. They also don't learn anything about the world outside of Chicagoland.³ This didn't bother me too much because it's quite possible given what we do know that the individuals living in Roth's Chicago have no contact with the outside world (if society even exists out there).

At first I thought that Divergent would have been a stronger novel without Tris' blossoming romance. That it wasn't necessary. That Tris and the other character could have played off each other without their relationship developing into a romantic one. I thought it would have been better to leave this particular romance out or to leave it unstated and/or unrequited until later in the series (because, yes, Divergent is the first in a series). But then I remembered the final scenes and I'm not sure how some of them would have played out if Tris and the other character hadn't been in love. I guess I'll just say--for the people like me who are tired of the "instalove" often portrayed in YA novels-- that Tris' romance is not quite of that ilk. They don't instantly fall for each other, there is tension, and they have much more in common than either of them realizes.

Tris is a relateable heroine, despite the fact that things sometimes seem too easy for her (and there is actually an explanation for that ease). The society Roth depicts is interesting and different than any other I've read thus far. Divergent also works well as a first-book-in-a-series. There's world building and the revelation of an overarching storyline, but the novel has a satisfying conclusion. One of the areas in which Divergent excels is in not getting bogged down in world-building and backstory. Divergent is fast-paced and full of action. It is a bit heavy on the violence, but I think the story itself is so engrossing that even individuals who are sensitive about violence can push on past those sections.

Insurgent, the sequel to Divergent will be released in May 2012. It's going straight on my wish list.

1. Bumped by Megan McCafferty (see post) and Delirium by Lauren Oliver (see post).
2. The encircled flame on Divergent's cover is the Dauntless seal. Though, I think that the stamped version on the hardcover itself is more striking than the burning image on the dust jacket.
3. Chicagoland isn't a term used in the book. It's just an informal term for the Chicago metropolitan area. As far as I remember, Roth never names her imagined society.

Delirium by Lauren Oliver

This is a follow-up to Sunday's post. The focus is on another dystopian YA novel that I got during the Borders liquidation.

One of the categories for my 2011 take-a-chance reading challenge is "loved one's choice." Since it was one of my favorite categories, I asked three different people (Russell and my good friends Jessica and Nancy) to provide me with reading assignments. Jessica gave me a choice of four options,¹ one of which was Delirium by Lauren Oliver. I fully intend to read all four of her selections (though likely not all within 2011), but since Delirium is the first one I've gotten to, it's the one I'll be counting for the challenge.

Delirium by Lauren Oliver

Magdalena Haloway has grown up in a world that considers amor deliria nervosa, or more specifically how individuals infected with the disease act and react, the biggest threat to society. There is a cure, but it's risky to have the procedure performed too early. Boys and girls are segregated to reduce the likelihood of disease contraction in youth. As individuals near their eighteen birthday and cure date, they undergo an evaluation and receive a list of approved matches. Lena is counting the days until her procedure, looking forward to the safety it will provide. That is... until she meets Alex.

Like Bumped (see post), Delirium disappointed me (and it's also the first in a planned series).

I liked the concept (though I will admit that it was a bit too much like Scott Westerfeld's Uglies) and Oliver's writing, but the story itself fell flat for me. It was really a combination of things, not all of which would normally put me off. The pace is very slow. Lena's best friend Hana is much more interesting than she is. Lena and Alex fall in love far too quickly and with little chemistry. What bothered me the most, though, was the lack of observable menace and oppression in the society. Yes, we are told that there are strictly-enforced curfews, that it's really difficult to cross the border, that people who fall in love are punished and killed, but we see precious little of that. It's far too easy for the characters to get away with everything that they do and because of that the society in which they were supposed to be living seemed inauthentic to me.

Because there are two more books planned for the series, I'm fairly certain that things at the end of Delirium are not necessarily what they seem. I suspect that the series will get better (in general, as the larger story is played out, not in reference to the aforementioned ending), but I don't plan on reading the other books.

1. You can see the list of Jessica's selections in this post.

Bumped by Megan McCafferty

I love a good dystopian novel. Margaret Atwood's The Handmaid's Tale has been one of my favorite books since I first read it (around 1999). It follows that I'd appreciate the spate of dystopian (both YA and not) fiction being published recently. Of the seven of books I've gotten for myself during the Borders liquidation (the list is below for those of you who haven't been keeping track), three have been dystopians. I've already posted about Shades of Grey. This post is the first of two focused on the YA dystopians I brought home and read right away.

Bumped by Megan McCafferty

I'd been wanting to read Bumped for what seemed like ages (it can't really have been all that long, though, since the book only came out this April). I kept seeing good reviews of the novel, which made me want to read it even more.

Bumped takes place in min-2030s Princeton, New Jersey. In the wake of the Human Progressive Sterility Virus epidemic, the United States is trying raise its teenage birthrate. When nearly all individuals over the age of eighteen are infertile, nubile girls are the highest valued segment of the population.

The novel's protagonists, Melody and Harmony, are sixteen-year-old identical twins who were separated at birth. Melody's adoptive parents have groomed her to be the first girl in her school to "go professional." She's got a six-figure contract and she's just waiting for her couple to find their perfect sperm donor. Harmony, on the other hand, was raised in a religious community. In her world, girls marry young and only have sex (and children) within marriage. Harmony discovers Melody's existence while trying to find her birth parents. The two girls have barely begun to know each other (via email and chat) when Melody arrives on Harmony's doorstep and the narrative begins.

Bumped is a bit different than most much dystopian fiction (which may disappoint some readers). There's no authoritarian government or overt suppression, but there are dystopian elements to the society McCafferty depicts. And, there's a lot of social commentary both subtle and overt sprinkled throughout Bumped. The more that I think about the novel, the more little digs I remember.

Overall, though, I have to say that my opinion of this book suffered from my high expectations. I didn't dislike Bumped, but I wasn't blown away by it. The concept is interesting and I like how McCafferty uses satire, but I can't help but think that Bumped would have been better if it had been conceived as a one-off rather than the opener for a series. While I didn't like Jondoe's character or the way the novel ended, my biggest criticism of the book is that Harmony did not seem authentic (primarily because some of her decisions were so far out of character that no explanation for them could be satisfactory).

Thumped, the sequel to Bumped, is scheduled for an April 2012 release.

Karen's Borders pickings:
1. The Girl in the Steel Corset by Kady Cross
2. Shades of Grey by Jasper Fforde
3. Bumped by Megan McCafferty
4. Delirium by Lauren Oliver
5. Encounter by Milan Kundera
6. The Monstrumologist by Rick Yancey
7. One of Our Thursdays Is Missing by Jasper Fforde