Thursday, January 22, 2015

adaptation: Treasure Island adapted for the stage by Bryony Lavery

I haven't read Treasure Island since I was a child and I'm really not all that keen on pirates, but I went to see the Royal National Theatre's live broadcast of Treasure Island adapted by Bryony Lavery today.1 I'm glad that I did because I really enjoyed the play.

The set is dynamic, growing and changing with the story, and it features a lovely planetarium-style sky.  There's a character that appears at key points to play the fiddle and lead the sea shanties that help set the tone for the play before the ship even appears.

As one would expect (especially given the promotional material for the play), there's a parrot.  What's less expected is that "Captain Flint" doesn't stay perched on the shoulder of Arthur Darvill's2 Long John Silver, parroting his lines. He's actually an active player in the story and at times seems to fly around the theatre (in the movie theater this was accomplished by how the sound effects were dispensed from different speakers in turn).

There are some female pirates (and a lady doctor) as well as a couple of other characters that seem to have been added for additional comic relief, but the most unique feature of the adaptation is that Lavery imagines Jim Hawkins as a girl child rather than a boy.  And actress Patsy Ferran, who plays Jemima, is fantastic in the role, lithe and expressive. And, her costume and makeup lend her an androgyny that allows her to read male at the opening of the play when viewers are expecting a male protagonist and assists her in maintaining the illusion that Jim is a child.
  1. I'm a huge fan of these live performances shown in movie theaters and highly recommend them. In two different movie houses, I've seen two ballets, an opera, an operetta, and now a play.  In my experience, the Royal Opera House and the Metropolitan Opera's live productions offer more in the way of added value ("pre-game" and intermission interviews, peeks behind the scenes, and other interesting content) than the Royal National Theatre.
  2. Rory from Doctor Who. He's fine as Long John Silver, but not outstanding.
disclosure: I paid for my own ticket to see this show, but got a discounted rate because I'm a member of the non-profit that runs the art house-type theater where I saw it.

Friday, January 02, 2015

Waistcoats and Weaponry
by Gail Carriger

source: gift

Waistcoats and Weaponry by Gail Carriger
series: Finishing School (3)

Waistcoats and Weaponry is the third book in the Finishing School series after Etiquette and Espionage (see post) and Curtsies and Conspiracies.  I'd had it on my wishlist ever since that once-just-books-now-everything online retailer had it available for pre-order.  Since it came out in November, I didn't go ahead and buy myself a copy in the hopes of getting it for Christmas.1 So sure was I that I'd have a copy of Waistcoats and Weaponry in hand by the end of December2 that I started rereading Etiquette and Espionage in preparation.3  And get it for Christmas, I did - two copies!  Both Russell and my mom purchased the book from my wishlist at that site.4 I assured my mother, who was quite a bit more concerned about the duplicate gift than Russell, that getting two copies was not a problem at all and that I knew exactly what to do with the second one. A few days later I sent it along to sister-in-law #3 and niece #1, to whom I'd previously given the series' first installments.

In any case because I also wanted to reread Curtsies and Conspiracies before I started my new acquisition, Waistcoats and Weaponry ended up being the first book I finished in 2015. It was a good way to start the year because it was such a satisfying read, giving me exactly what I've come to expect from Carriger, whose work I enjoy (see posts), and from this series in particular. In Waistcoats and Weaponry, Sophronia and her friends are properly transitioning out of childhood (complete with the realization that maybe they aren't quite ready for everything that means) and Carriger handles it beautifully. It's also significant to note that I finished Waistcoats and Weaponry with a desire to reread the Parasol Protectorate books (see post) because of a suspicion that if I look closely enough I may find evidence of another of the Finishing School characters that I didn't original recognize as a character from Parasol Protectorate.
  1. I tried my best to ensure this eventuality by dropping copious hints to Russell.
  2. If Santa et al failed me I was prepared to purchase a copy myself.
  3. When it's been a while since I've read a series earlier installments, I like to reread them so that they are fresh in my mind before I start the latest one. Also, see note #1.
  4. Site hiccup or user error? You be the judge.

Saturday, June 28, 2014

sync this week: Forgive Me, Leonard Peacock and October Mourning

Sync's offerings this week (Thursday, June 26 through Wednesday, July 2, 2014) are:




In addition to the P-38, there are four gifts, one for each of my friends. I want to say good-bye to them properly. I want to give them each something to remember me by. To let them know I really cared about them and I'm sorry I couldn't be more than I was — that I couldn't stick around — and that what's going to happen today isn't their fault.
Today is Leonard Peacock's birthday. It is also the day he hides a gun in his backpack. Because today is the day he will kill his former best friend, and then himself, with his grandfather's P-38 pistol.
But first he must say good-bye to the four people who matter most to him: his Humphrey Bogart — obsessed next-door neighbor, Walt; his classmate Baback, a violin virtuoso; Lauren, the Christian homeschooler he has a crush on; and Herr Silverman, who teaches the high school's class on the Holocaust. Speaking to each in turn, Leonard slowly reveals his secrets as the hours tick by and the moment of truth approaches.
In this riveting book, acclaimed author Matthew Quick unflinchingly examines the impossible choices that must be made — and the light in us all that never goes out.


The edition of Forgive Me, Leonard Peacock offered by Sync is narrated by Noah Galvin, courtesy of Hachette Audio.

On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was lured from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

The edition of October Mourning offered by Sync is narrated by Emily Beresford, Luke Daniels, Tom Parks, Nick Podehl, Kate Rudd, Christina Traister; courtesy of Brilliance Audio.

Go here to get this week's downloads.

Note: these books don't expire like the e-audiobooks you get from the library. So, be sure to download the books even if you don't think you'll get around to listening to them right away.

More information about Sync and this year's schedule of offerings is available in this post.

Thursday, June 19, 2014

synce this week: I'd Tell You I Love You, but then I'd Have to Kill You and Anne of Green Gables

Sync's offerings this week (Thursday, June 19 through Wednesday, June 25, 2014) are:




Cammie Morgan is a student at the Gallagher Academy for Exceptional Young Women, a fairly typical all-girls school—that is, if every school taught advanced martial arts in PE and the latest in chemical warfare in science, and students received extra credit for breaking CIA codes in computer class. The Gallagher Academy might claim to be a school for geniuses but its really a school for spies.
Even though Cammie is fluent in fourteen languages and capable of killing a man in seven different ways, she has no idea what to do when she meets an ordinary boy who thinks shes an ordinary girl. Sure, she can tap his phone, hack into his computer, or track him through town with the skill of a real “pavement artist”—but can she maneuver a relationship with someone who can never know the truth about her?
Cammie Morgan may be an elite spy-in-training, but in her sophomore year, shes on her most dangerous mission—falling in love.


The edition of I'd Tell You I Love You, but then I'd Have to Kill You offered by Sync is narrated by Renée Raudman, courtesy of Brilliance Audio.

As soon as Anne Shirley arrived at the snug, white farmhouse called Green Gables, she knew she wanted to stay forever... but would the Cuthberts send her back to the orphanage? Anne knows she's not what they expected — a skinny girl with decidedly red hair and a temper to match. If only she could convince them to let her stay, she'd try very hard not to keep rushing headlong into scrapes or blurt out the very first thing she had to say. Anne was not like anybody else, everyone at Green Gables agreed; she was special — a girl with an enormous imagination. This orphan girl dreamed of the day when she could call herself Anne of Green Gables.

The version Anne of Green Gables offered by Sync is narrated by Colleen Winton, courtesy of Post Hypnotic Press.

Go here to get this week's downloads.

Note: these books don't expire like the e-audiobooks you get from the library. So, be sure to download the books even if you don't think you'll get around to listening to them right away.

More information about Sync and this year's schedule of offerings is available in this post.

Thursday, June 12, 2014

sync this week: Code Name Verity and The Hiding Place

Sync's offerings this week (Thursday, June 12 through Wednesday, June 18, 2014) are:


Code Name Verity by Elizabeth Wein
and
The Hiding Place by Corrie Ten Bloom, with John and Elizabeth Sherril


Oct. 11th, 1943 — A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. One of the girls has a chance at survival. The other has lost the game before it's barely begun.
When “Verity” is arrested by the Gestapo, she's sure she doesn't stand a chance. As a secret agent captured in enemy territory, she's living a spy's worst nightmare. Her Nazi interrogators give her a simple choice: reveal her mission or face a grisly execution.
As she intricately weaves her confession, Verity uncovers her past, how she became friends with the pilot Maddie, and why she left Maddie in the wrecked fuselage of their plane. On each new scrap of paper, Verity battles for her life, confronting her views on courage, failure and her desperate hope to make it home. But will trading her secrets be enough to save her from the enemy?


The edition of Code Name Verity offered by Sync is narrated by Morven Christie and Lucy Gaskell, courtesy of Bolinda Audio. I highly recommend that you download this book. You can read by review of Code Name Verity in this post.

The amazing story of Corrie ten Boom, a heroine of the Dutch Resistance who helped Jews escape from the Nazis and became one of the most remarkable evangelists of the 20th century, is told in her classic memoir, now retold for a new generation.

The edition of The Hiding Place offered by Sync is narrated by Bernadette Dunne, courtesy of Christian Audio.

Go here to get this week's downloads.

Note: these books don't expire like the e-audiobooks you get from the library. So, be sure to download the books even if you don't think you'll get around to listening to them right away.

More information about Sync and this year's schedule of offerings is available in this post.

Thursday, June 05, 2014

sync this week: All Our Yesterdays and Julius Caesar

Sync's offerings this week (Thursday, June 5 through Wednesday, June 11, 2014) are:


All Our Yesterdays by Cristin Terrill and
Julius Caesar by Shakespeare


Imprisoned in the heart of a secret military base, Em has nothing except the voice of the boy in the cell next door and the list of instructions she finds taped inside the drain.
Only Em can complete the final instruction. Shes tried everything to prevent the creation of a time machine that will tear the world apart. She holds the proof: a list she has never seen before, written in her own hand. Each failed attempt in the past has led her to the same terrible present—imprisoned and tortured by a sadistic man called the doctor while war rages outside.
Marina has loved her best friend James since the day he moved next door when they were children. A gorgeous, introverted science prodigy from one of Americas most famous families, James finally seems to be seeing Marina in a new way, too. But on one disastrous night, Jamess life crumbles apart, and with it, Marinas hopes for their future. Now someone is trying to kill him. Marina will protect James, no matter what. Even if it means opening her eyes to a truth so terrible that she may not survive it. At least not as the girl she once was.
All Our Yesterdays is a wrenching, brilliantly plotted story of fierce love, unthinkable sacrifice, and the infinite implications of our every choice.


The edition of All Our Yesterdays offered by Sync is narrated by Meredith Mitchell, courtesy of Tantor Audio.

In this striking tragedy of political conflict, Shakespeare turns to the ancient Roman world and to the famous assassination of Julius Caesar by his republican opponents. The play is one of tumultuous rivalry, of prophetic warnings–“Beware the ides of March”–and of moving public oratory, “Friends, Romans, countrymen!” Ironies abound and most of all for Brutus, whose fate it is to learn that his idealistic motives for joining the conspiracy against a would-be dictator are not enough to sustain the movement once Caesar is dead.

The version Julius Caesar (aka Oedipus the King) offered by Sync is performed by Performed by Richard Dreyfuss, JoBeth Williams, Stacy Keach, Kelsey Grammer, and a full cast; courtesy of L.A. Theatre Works.

Go here to get this week's downloads.

Note: these books don't expire like the e-audiobooks you get from the library. So, be sure to download the books even if you don't think you'll get around to listening to them right away.

More information about Sync and this year's schedule of offerings is available in this post.


Thursday, May 29, 2014

sync this week: Confessions of a Murder Suspect and Murder at the Vicarage

Sync's offerings this week (Thursday, May 29 through Wednesday, June 4, 2014) are:


Confessions of a Murder Suspect by James Patterson and Maxine Paetro
Hachette Audio edition, narrated by Emma Galvin
and
Murder at the Vicarage by Agatha Christie
Harper Audio edition, narrated by Richard E. Grant


James Patterson returns to the genre that made him famous with a thrilling teen detective series about the mysterious and magnificently wealthy Angel family... and the dark secrets they're keeping from one another.
On the night Malcolm and Maud Angel are murdered, Tandy Angel knows just three things: 1) She was the last person to see her parents alive. 2) The police have no suspects besides Tandy and her three siblings. 3) She can't trust anyone — maybe not even herself. Having grown up under Malcolm and Maud's intense perfectionist demands, no child comes away undamaged. Tandy decides that she will have to clear the family name, but digging deeper into her powerful parents' affairs is a dangerous — and revealing — game. Who knows what the Angels are truly capable of?


Murder at the Vicarage marks the debut of Agatha Christie’s unflappable and much beloved female detective, Miss Jane Marple. With her gift for sniffing out the malevolent side of human nature, Miss Marple is led on her first case to a crime scene at the local vicarage. Colonel Protheroe, the magistrate whom everyone in town hates, has been shot through the head. No one heard the shot. There are no leads. Yet, everyone surrounding the vicarage seems to have a reason to want the Colonel dead. It is a race against the clock as Miss Marple sets out on the twisted trail of the mysterious killer without so much as a bit of help from the local police.

Go here to get this week's downloads.

Note: these books don't expire like the e-audiobooks you get from the library. So, be sure to download the books even if you don't think you'll get around to listening to them right away.

More information about Sync and this year's schedule of offerings is available in this post.