The Weight of Blood by Laura McHugh

source: Netgalley (review copy)

The Weight of Blood by Laura McHugh

It was common knowledge that in the hills, with infinite hiding places, bodies disappeared. They were fed to hogs or buried deep in the woods or dropped into abandoned wells. They were not dismembered and set out on display. It just wasn't how things were done. It was that lack of adherence to custom that seemed to frighten people the most. Why would someone risk getting caught in order to show us what he'd done to Cheri when it would have been so easy to keep her body hidden? The only reasonable explanation was that an outsider was responsible, and outsiders bred fear in a way no homegrown criminal could. (12)

When 17-year-old Lucy Dane's developmentally delayed friend disappeared one year earlier, no one in their small town of Henbane, Missouri seemed particularly concerned, not even Cheri's mother. Cheri's first pegged as a runway then quickly forgotten. The discovery of Cheri's dismembered body first brought news crews, then a run on locks and ammunition, but that fervor is short-lived. A lack of leads coupled with the passage of time allows Cheri's murder to fade quietly into the backdrop of life in Henbane. Only Lucy, whose own mother disappeared 16 years earlier, continues to search for answers.

As Lucy begins to find clues about Cheri's life during that unaccounted for year, she begins to hope that she'll be able to discover information about her mother's mysterious disappearance as well. However the more Lucy learns, the more complicated both present and past seems to be. As the novel unfolds parallels are drawn between Cheri's disappearance and that of Lila Dane. In order to unearth the truth about her mother's disappearance Lucy will have to "look past what [she's] always been taught and listen to what [she] know[s] in [her] bones to be true" (223).

The Weight of Blood is an exploration of the ties that bind and the weight of blood. McHugh intersperses the contemporary narrative with flashback's to Lila's life during (and immediately before) her time in Henbane and utilizes different points of view at different times in the novel to great effect  (though readers who dislike multiple POV novels are going to have trouble with this one as the POV characters multiply in the second half of the book).  McHugh's characters are well-drawn and multifaceted (another obvious symptom of McHugh's effective use of different viewpoints throughout the novel).  The story is both gripping (even after readers find out who is most likely responsible for Lila's disappearance, they will still keep turning the pages desperate to learn exactly what happened to her) and evocative (McHugh charts both physical and interior landscapes so clearly for her readers). 

The Weight of Blood will be available in March 2014. It's McHugh's debut novel and I look forward to reading whatever she puts out next.

disclosure: I received a review copy of The Weight of Blood from Random House via NetGalley.

Eleanor and Park by Rainbow Rowell

source: public library

Eleanor and Park by Rainbow Rowell
audio version read by Rebecca Lowman and Sunil Malhotra

As I mentioned before, Rainbow Rowell's Eleanor and Park was recommended to me by my friend Nancy. I ended up listening the e-audio version of the novel simply because it was the version that I was able to get my hands on most quickly. It was a good decision, though, because the audiobook is extremely well-produced. The decision to have two narrators, each corresponding to one of the point-of-view characters, was a smart one.

Having two different actors bringing life to the two different narratives highlights just how deftly Rowell has managed the dual points of view. Throughout Eleanor and Park Rowell plays the protagonists' reactions against each other. She easily jumps back and forth between the two narratives and doesn't get bogged down in needing to stay with one of them for a certain amount of time before going back to the other. Occasionally she is with a character for only a sentence or two before switching back, but it is so well-done that it doesn't jar the reader. She also never stays with one character long enough for readers to get frustrated by their need to hear about the other.

I adored Eleanor and Park. I liked Park, I liked Eleanor, and I could relate to both of them. Their voices felt authentic as did the things each of them experienced over the course of the novel and particularly how each of them responded to those experiences. I came of age (and first fell in love) during this pre-cell phone, pre-email era so I can say with perfect certainty that Rowell knows of what she writes.

A beautiful, substantive love story tinged with nostalgia, Eleanor and Park is definitely one of the best books I've read so far this year.   It's going straight onto my favorites list and I will be buying myself a copy.

For what it's worth, I don't see Eleanor and Park as a young adult(-only) book.  I would classify it as general fiction and say that it was a good choice for teens.  I think Eleanor and Park is being marketed as a young adult novel because it's an easy sell with the protagonists being high school students experiencing their first real relationship.¹ The young adult classification is sometimes a turn off to adult readers, though, which is unfortunate because I almost think the most perfect audience for Eleanor and Park are readers like myself who are contemporaries (or near contemporaries) of the titular characters.  There's the nostalgia factor, of course, but I truly believe that Eleanor and Park is a novel that will resonate with adult readers. Park and Eleanor are dealing with coming-of-age issues, but they are also dealing with real-world issues, things that don't go away (or seem less horrific) once one grows up.

I know that today's young adults will be able to relate to Park and Eleanor and the things that they are going through. But I wonder if many of them, as connected as they are,² will be able to comprehend Park and Eleanor's extracurricular communication difficulties. I'm not sure that matters, though. Eleanor and Park is a must-read for them anyway.³

1. And YA continues to be hot, hot, hot.
2. As connected as we all are these days.
3. Niece #1 will be getting a copy when I see her in December and nephew #1 will probably get one in a year or two.

a few multiple POV novels

Or, short reviews of books read during June 2013, part 1

The Blood of the Lamb by Sam Cabot (source: Netgalley)
forthcoming: August 6, 2013

Catholic Church conspiracy thriller with vampires.
The novel is well-written, but its subject matter is divisive. Obviously if you dislike and/or are offended by books of this type, you should give The Blood of the Lamb a miss. Its multiple point-of-view narrative may also turn off some readers (for what it's worth, there's nothing especially problematic about how Cabot handles the various characters and their points of view). Otherwise, I think this cerebral thriller is definitely worth a read. It's written by two people¹ who clearly know how to write and, in the context of the novel, the paranormal elements don't seem unrealistic. I particularly recommend The Blood of the Lamb to fans of vampire novels, as I think they'd appreciate Cabot's take on them.

The Death of Bees by Lisa O'Donnell (source: public library)

Debut novel by award-winning screenwriter.
I discovered The Death of Bees while browsing the new arrivals section of my local public library. I was intrigued by the book-flap text, but unsure as to whether I'd like the novel or not. The Death of Bees is dark and gritty (set in a Glasgow housing estate²), but compelling.
I, for one, like multiple POV narratives and I really appreciated how O'Donnell created such distinct voices for her three point-of-view characters: a fifteen-year-old breadwinner, whose straight-A average belies her rough-and-tumble make-it-work attitude about life; her gifted, but maladjusted twelve-year-old sister; and their doddering, Scarlet-Lettered neighbor.

Scarlet by Marissa Meyer (source: public library)
series: Lunar Chronicles (2)

Little Red Riding Hood set in a dystopian future.
The sequel to Cinder (see post), Scarlet introduces the eponymous character (and her Wolf) in addition to continuing the overarching story begun in Cinder.
After reading Scarlet, I'm even more keen on this series (the Lunar Chronicles) and recommend it to both adults and young adults who like science fiction, paranormal fiction (romance or not), retellings of fairy tales, dystopian fiction, or any of the above. Cinder is the book that I gave my dad for Father's Day this year and I may try to lure my reluctant-reader-due-to-dyslexia sister with the audiobook.

footnotes:

1. Sam Cabot is a pseudonym for the writing team of Carlos Dews and S.J. Rozan.
2. Housing project.  When I read "housing estate" in a British-authored book, my first instinct is not to think of the projects.  "Estate" sounds so much nicer, but I'm sure that's because I don't have the relevant cultural baggage.

More Disclosure: I received a review copy of The Blood of the Lamb from Blue Rider Press (Penguin) via NetGalley.

Peaches for Father Francis by Joanne Harris

Peaches for Father Francis by Joanne Harris
original title: Peaches for Monsieur le Curé¹
series: Chocolat trilogy (3)

I am no longer the Vianne Rocher who blew into town eight years ago. [...] I am in charge of my destiny. I call the wind. It answers to me.(23)

While I've read quite a bit of Harris' oeuvre, I've never gotten around to her most famous novel, Chocolat.² Peaches for Father Francis is the third book to feature characters from Chocolat. I haven't read Chocolat's first sequel, The Girl with No Shadow,³ either. To my mind, Peaches for Father Francis functions perfectly well as a stand along novel, though a a familiarity with Chocolat's storyline and characters is useful to the reader.

The primary action of Peaches for Father Francis takes place in Lansquenet-sous-Tannes, the fictional French village that was the setting of Chocolat (The Girl with No Shadow takes place in Paris, which is where Peaches for Father Francis begins). A letter from her now-deceased friend Armande Voizin summons protagonist Vianne back to Lansquenet, which Armande suspects will be in need of Vivianne's help by the time the letter is delivered to her. When Vianne arrives in Lansquenet much has changed in the village. The storefront where she sold chocolate once upon a time is now being used as a small Muslim girls school or was until a recent arson attack. The primary suspect in the attack is Vianne's old nemesis (and the novel's second protagonist), village curate Reynaud Francis.

Reynaud finds an unlikely ally in Vianne, who is quick to surmise that all is not as it seems in Lansquenet.  Peaches for Father Francis is classic Harris. Her prose is gorgeous, evocative, and tinged with magic. The story, which revolves around the problems caused by prejudice within a community affected by conservatism within and self-segregation of its (Moroccan Muslim) immigrant population, is timely. The novel's themes--which include tolerance and forgiveness, was is vs. what seems to be, the inevitability of change--are timeless.

Here's a quote from Reynaud that struck me:

Of course, I know God has a plan. But in recent years I've found it increasingly hard to believe that the plan is running as smoothly as He intended. The more I think about it now, the more I see God as a harried bureaucrat, wanting to help, but crippled by paperwork and committees. If He sees us at all, [...] it is from behind a desk piled high with accounts and works-in-progress. That's why He has priests to do His work, and bishops to oversee them.  [...] But try to juggle too many balls, and this is what happens.  Some go astray. (244)

A couple other truisms from the novel:

Love is random, centreless; striking out like pestilence. (268)

Vianne: But we have the uncanny knack of focusing on difference; as if excluding others could make our identity stronger. But in all my travels, I have found that people are mostly the same everywhere. Under the veil, the beard, the soutane, it's always the same machinery. (221)

Peaches for Father Francis is a must-read for lovers of Harris and/or Chocolat. Despite its timeliness I'm not sure that I'd recommend Peaches for Father Francis as an introduction to Harris' work since it builds upon groundwork laid in Chocolat (and probably also in The Girl with No Shadow). Rather I'd recommend Peaches for Father Francis in conjunction with Chocolat.

Because we all know that I like footnotes -

1. Because apparently Americans can't handle a little bit of French.
   Why, oh why, do publishers think the American audience needs a different title? I really do think that the confusion this causes outweighs any possible benefit. I'd much rather have an explanatory note in the front matter than an alternate title.
2. Though, for what it's worth, I did see the film adaptation.
3. The Lollipop Shoes was the original title. Does lollipop have some alternate meaning across the pond? (rhetorical question; see footnote 1)

disclosure: I received a review copy of Peaches for Father Francis from Viking Press via NetGalley.

Tigers in Red Weather by Liza Klaussmann

Tigers in Red Weather by Liza Klaussmann

Like Wish You Were Here by Stewart O'Nan, which I posted about earlier this month (see post), Tigers in Red Weather concerns itself with an extended family and their interpersonal relationships using time spent together at a summer cottage (this time on Martha's Vineyard) as a catalyst.  The novel is also told variously from the perspectives of the individual family members, but Tigers in Red Weather has a series of first-person narrators rather than one third person omniscient.

While Wish You Were Here takes place over a single week, Tigers in Red Weather unfolds over twenty-plus years. From the end of World War through the late 1960s (with a bit of a flashback to the war years), Tigers in Red Weather follows first (female) cousins Nick and Helena (and Nick's husband Hugh) as they adjust to post-war and married life. Their children Ed and Daisy join the narrative as they reach the age of reason, spending their summers at Tiger House.

Throughout the novel there's an air of mystery and deep-seated secrets. One summer there's a murder on the Vineyard, and while that adds to the intrigue, it's never really a question of whodunnit. Rather the focus of Tigers in Red Weather is on interfamilial deceptions, the lies individual characters tell themselves and each other.

Unfortunately, it was difficult to connect with any of the central characters. Two of them were repugnant the majority of the time. The others ranged from generally likeable to vaguely incomprehensible, but all suffered from some level of inconsistency within their characters that made them at best unsympathetic, but at worst unbelievable.

I will say that the novel's ending is unexpected and quite well done.

The poem that no doubt inspired the novel's title, and which appears in part at the very end of the narrative: "Disillusionment of Ten O'Clock" by Wallace Stevens (1915)

The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
Catches tigers
In red weather.

"Disillusionment of Ten O'Clock" was first published in the collection, Harmonium.

disclosure: I received a review copy of Tigers in Red Weather from Little Brown & Co. via NetGalley.

Wish You Were Here by Stewart O'Nan

Wish You Were Here by Stewart O'Nan

After her husband Henry dies, Emily Maxwell decides to sell their vacation home on Lake Chautauqua. Wish You Were Here recounts the last week that the family (Emily, her two children and their families, and Henry's sister Arlene) spends at the cottage.

While the action of the 500+ page novel takes place only over the course of eight days, it never feels unbearably long because the story is told (by the third person omniscient narrator) in turns from ten different perspectives (one chapter is given over to the dog, but the rest cycle through the three generations of vacationers). This allows the author to delve deep into an ordinary family (and the characters do feel both ordinary and real), exploring the strengths and weaknesses of each member and of the family as a whole. I most appreciated being able to see the differences between individual characters' self-perception and how they are viewed by those closest to them.

I do wish that I read Wish You Were Here when I still lived in Buffalo. I would love to drive around Chautauqua now, trying to pick out all the landmarks featured in the novel.

Some passages that struck me while I was reading -

Ken (Emily's son): "He feared, in the future, some crippling repercussions from these early indulgences, and thought that was due to his own childhood being for the most part idyllic, the hard facts of life reaching him only in his mid-twenties, as if until then he'd been swathed in a cocoon of his parents' making, composed of equal parts love and money" (27).

Meg (Emily's daughter): "Just waking up made her tired, her brain incredibly heavy, a cloud filled with rain" (58).

Lise (Emily's daughter-in-law):" She wondered what her life would look like in a book. Now there was a depressing idea" (477).

more quick thoughts on more recent reads

The Darling Dahlias and the Cucumber Tree
by Susan Wittig Albert

Crime-solving highjinks set against the backdrop of Depression-era south.

The first in a series of cozy mysteries set in the early 1930s. The sleuths are members of Darling, Alabama's garden club. The Darling Dahlias and the Cucumber Tree features murder, bank fraud, a prison break, a haunting, twelve garden club ladies, and two cucumber trees. That's quite a bit to pack into one novel, but Albert juggles everything admirably. I enjoyed The Darling Dahlias and the Cucumber Tree and would be interested in continuing on with the series.

A Hope Undaunted by Julie Lessman

Never judge a book by its cover.

If I had realized that A Hope Undaunted was an inspirational romance (i.e. Christian romantic fiction) I would not have checked it out. I did read it the entire novel because I needed to find out whether the feisty young women's rights advocate would be convinced of the importance of unquestioningly obeying her father and (future) husband. I found it overbearing.

The Lace Reader by Brunonia Barry

Self-published novel turned NY Times bestseller.

Set primarily in Salem, Massachusetts, and its environs, The Lace Reader examines Salem's legacy in an interesting way at a time when witchcraft good PR not a crime. Its unreliable narrator is a professed liar, but it is unclear just how much of her story is fiction for the majority of the novel. Compelling reading.

The Language of Flowers by Vanessa Diffenbaugh

A contemporary fictional meditation on the Victorian language of flowers.

I've been intrigued with the language of flowers since I first learned about it years ago. The problem with floriography is that the meanings of the flowers vary from source to source and the sentiments attributed to a particular bloom can be contradictory. One of the things that I liked most about Diffenbaugh's novel, The Language of Flowers, was the author's inclusion as an addendum of the floriography dictionary developed by her protagonist (and another character) during the course of the novel. The novel itself wasn't quite what I expected it (oh how the protagonist drove me to distraction at times with her inability to trust), but I appreciated it nonetheless.

quick comments on recent reads

The False Friend by Myla Goldberg

Lured by The False Friend's synopsis, I expected the novel to be something that it's not. It is short, spare, and well-written. The novel deals with childhood bullying, the unreliable nature of memory, and how difficult it is to know those closest to us. Its revelations are myriad, but they come from unexpected quarters. I have to admit that I found The False Friend unsatisfying. I found the protagonist increasingly unsympathetic and the ending unsatisfying (even though I understand why Goldberg ended the novel the way that she did).

Feed by M.T. Anderson

Set in a dystopian future where the internet is hardwired to everyone's brain. Anderson incorporates interruptions by targeted advertizing into the narrative to help readers understand the experience of being plugged into the feed. If I had been reading Feed, I would have skipped over those sections, limiting the annoyance factor, but I listened to the audio version, which forced me to fully experience these tics in the narrative. Feed is a cautionary tale, much darker than a lot of the books that have been pushed out during this craze for dystopian (young adult) fiction.

Miss New India by Bharati Mukherjee

A bildungsroman that explores the theme of "the New India" (a descriptor I find a bit perplexing). Anjali (Angie) Bose runs away from home and an arranged marriage assisted by an expatriate American teacher who believes in her potential for a better life than small town Gauripur can offer her. Angie travels to Bangalore where she muddles along, though a series of increasingly unbelievable amount of plot twists, almost in spite of herself. The highlight of Miss New India is its cast of secondary characters.

Moonstone and Moon Rise by Marilee Brothers

I only read the first two installments of Marilee Brothers' Unbidden Magic series even though I had a review set of all four titles (Moonstone, Moon Rise, Moon Spun, and Shadow Moon). I found Moonstone to be a somewhat standard teen paranormal romance: nothing to write home about, but interesting enough to continue with the series considering the fact that I already had the next book at hand. Moon Rise, however, opens with a serious series fiction infraction: the love interest from book one (who, I might add, was a more interesting character than the protagonist herself) is inexplicably missing in action allowing both author and protagonist to cultivate a new love interest more in line with the second installment's storyline. I hate when authors do this: throwing out all the work they did getting their readers invested in a relationship. I finished Moon Rise--which, I should add in Brothers' defense, does end with a teeny bit of explanation about the absence of Moonstone's love interest--but I had no desire to continue on with the series.

Perfume: The Story of Murderer by Patrick Sueskind
translated from the German by John E. Woods

I've been meaning to read Perfume for ages. It was first published in 1985 and I've had a copy on my bookshelf for at least four years. An olfactory-genius serial killer in 18th century France. The pacing is slow (sometimes excruciatingly so), but the language (particularly Suskind's ability to put smells into words) is wonderful.  What I found most interesting  were the descriptions of craft of perfumerie: the process for making absolutes and the like.

disclosure: I received a review copy of Moonstone and Moon Rise from Bell Bridge Books via NetGalley.

You or Someone Like You by Chandler Burr

You or Someone Like You by Chandler Burr

I don't find this novel's title or cover art particularly appealing.¹ My familiarity with the author² was the only reason I checked You or Someone Like You out to read on my Nook.

At the outset of Burr's roots as an author of nonfiction are clear. He begins with a three-page author's note,³ in which he explains exactly to what extent his fiction is fictional. I did read the author's note (I don't always) and it seemed like overkill to me. A result the author's discomfort with the medium? a mark of our litigious society? However, now that I've finished the novel, I see why he included the note. The entire novel revolves around something that happens to one of the characters. Because of the virulence this incident and its consequences provokes (in the characters and, possibly, in the novel's readers), it was important for the author to ground the event in reality, to affirm that it wasn't something he dreamed up simply to torture his characters.

I have decidedly mixed feelings about You or Someone Like You. I loved how literary it was. The novel is filled with books and references to authors and their various works and it made me want to reread some titles and tackle other authors for the first time. Burr makes some wonderfully astute observations about both literature and the human condition. He also incorporates a bevy of real-life characters (mostly film industry people) in walk-on roles. Some readers will love this aspect of You or Someone Like You, but it didn't do much for me considering that I didn't always recognize the individuals featured.

I do think, though, that Burr was a bit too focused on the moral of his story. Towards the end of You or Someone Like You Burr effectively mutes one of the key characters, allowing the righteous indignation of another to completely swamp the narrative. In doing this Burr is likely to alienate his readers as effectively as his protagonist alienates her acquaintances. There's also the moral itself, which some readers will appreciate and others will find impossible to tolerate.

You or Someone Like You would definitely make for an interesting book club discussion.

1. Actually, I really don't like the cover. I find both the people pictured on it a bit unnerving
2. I'd read and enjoyed The Perfect Scent (see post).
3. He also includes source notes after the concluding chapter

Personal Days by Ed Park

Personal Days by Ed Park

I checked Personal Days out on a whim. I happened across it while browsing the library's available ebooks. It sounded Office Space-like, it had good reviews blurbs, and I liked the cover.

Let me start off my admitting that I did not finish Personal Days. I gave up around page 145 when I realized that all of Part III (pages 141-182) took the form of one email, one one-paragraph email, one one-paragraph drunken email. The idea of having to read those last 40 unformatted stream-of-consciousness pages on my Nook was simply too much for me and I threw in the towel.  I hadn't connected with any of the characters--in a sense they were as much strangers with me as they were to each other--so I felt no compunction about giving up on Personal Days.

That being said, Personal Days is indeed hilarious as advertised (it had its moments). The narrative style changes throughout the course of the novel though  it is quite choppy in general.  I'm sure the choppiness is  intentional and meant to play up the anxiety the characters feel in the workplace.

Anyone who has ever worked in an office environment can likely relate to what the characters in Personal Days think, feel, and experience (more so those who have worked in an unhealthy workplace). I would not recommend Personal Days to anyone working at an organization where layoffs are feared if not imminent as it will likely hit a little too close to home.

Major Pettigrew's Last Stand by Helen Simonson

Major Pettigrew's Last Stand by Helen Simonson

Helen Simonson's debut novel Major Pettigrew's Last Stand is a charming little¹ book.

It's protagonist is widower Ernest Pettigrew, a 68 year-old retired British army major. The unexpected death of Major Pettigrew's younger brother leaves Pettigrew decidedly out of sorts, but that disorientation is precisely what allows him to see the proprietress of the village shop Jasmina Ali in a new light.

As their friendship develops over errand-running, tea, and book discussions, it seems that the 58 year-old Mrs. Ali may be Pettigrew's soul mate. But will their budding romance survive in the face of malicious village gossip and a double dose of familial disapproval?

Major Pettigrew's Last Stand has some wonderful laugh-out-loud moments. Pettigrew's development over the course of the novel is both endearing and believable. Mrs. Ali's tendency toward culturally-dictated self-sacrifice is tempered by both her intellect and unexpected passion. The novel's host of secondary characters run the gambit (sympathetic to villainous) and their actions, comments, and perspectives show the full range of those individuals like Pettigrew and Mrs. Ali and would encounter as residents of a formerly sleepy village in the English countryside.

As is likely clear by the above, I really enjoyed Major Pettigrew's Last Stand, which I borrowed from my mom who selected it for reading on her upcoming vacation. I loved both Pettigrew and Mrs. Ali (as well as Amina, another long-suffering secondary character) and was horrified by the insensitivity exhibited by characters like Pettigrew's son and the society ladies and the actions of some of Mrs. Ali's relatives. The thing I liked best about the the novel is that Simsonson doesn't tie everything up too neatly at the end.

1. At 350+ pages, Major Pettigrew's Last Stand is not a particularly short novel. "Charming little book" just seemed like the right descriptor.

Ten Thousand Lovers by Edeet Ravel

Ten Thousand Lovers by Edeet Ravel

Ten Thousand Lovers is one of those books that has been sitting on my shelves for quite some time (more than five years according to its Bookcrossing journal). It survived the great library purge of 2011 despite the fact that I've had no compelling urge to read it in all that time. Why? Well, the cover art is quite beautiful, it has a medallion indicating that it was a finalist for Canada's Governor General's Award, and its back-cover text is quite enticing, particularly this bit:

In today's world, where danger, terrorism and the possibility of war are part of all our lives, no novel could be more brilliantly, terrifyingly contemporary. Yet Ten Thousand Lovers is set in Israel in the Seventies: a dazzling backdrop to a universal story of passion, suffering and the transcending power of love.

Ten Thousand Lovers was in an easy-to-reach section of my bookshelves and after grabbing it from there recently, I decided to go ahead and read it for the reasons mentioned above.

Lily is now an academic in England. Her daughter is of an age and embarking on her first serious relationship. Ten Thousand Lovers is Lily's reflection on that time in her own life. Though Lily spent her earliest years on a kibbutz, she is more Canadian than Israeli when she returns to Israel for college and meets a man whose job working for the Israeli army as an interrogator fills her with distaste.

Lily's recounting of her relationship with Ami is full of semantic digressions. A linguist, she can't help but explain the origins and meanings of the words that comprise their story. Rather than being distracting, these digressions inform the story and serve to better explicate the situation in Israel both at the time the story takes place and now.

Ten Thousand Lovers is a beautifully written novel. It is moving and sad and filled with truisms ("you can't quantify unhappiness," p. 296). It is a story that begs to be read and one that will stick with its readers long after they close the novel's covers.

Woman's World by Graham Rawle

Woman's World by Graham Rawle

Woman's World is a novel constructed entirely of text (and images) cut from magazines. Women's magazines from the early 1960s. My friend Nancy assigned it to me as part of my 2011 take-a-chance reading challenge.

I'm at a bit of a loss as to how to write about Woman's World without including spoilers. I'm usually anti-spoiler, but in this case I think it's especially important. I think the best way to experience Woman's World is to come at it without any preconceived notions and let the novel reveal itself.

Woman's World is odd and it's not just because of its construction. I can't say that I enjoyed reading it. I marveled at the layout of each page, but I read the story with a profound sense of foreboding. All is not right within the protagonist's family. Readers experience suspicion, then certainty, but the full truth of the matter is revealed only slowly.

The story is engrossing and unexpectedly atmospheric, but one never ceases to notice the underlying collage. The pieced-together text isn't distracting, though, it adds to the narrative. Woman's World is composed of women's magazines, but it is also very much about women's magazines, the voice with which they speak, and ideas they are trying to sell to their readers.

What I liked best about Woman's World is that Rawle included a piece on the making of the book. The piece is short, but fascinating. Rawle explains the construction of one page in 40,000 Not-Very-Easy Pieces (skip the introductory paragraph if you don't want any spoilage).

Everything We Ever Wanted by Sara Shepard

Everything We Ever Wanted by Sara Shepard

Recently widowed Sylvie Bates-McAllister's life revolves around Swithin, the prestigious preparatory school endowed by her grandfather. When a scholarship students dies, concerns about hazing within the school's wrestling team (now coached by Sylvie's adopted son, Scott) come to light. An investigation begins. Scott might be fired, Sylvia might lose her seat on the board, but worst of all, Swithin's reputation might be tarnished.

Sylvie's biological son, Charles, and his new wife are on the sidelines of this drama, but neither can avoid the familial rift and long-hidden secrets the death and its aftermath have dislodged.

Sara Shepard has written for an adult audience before (The Visibles, 2009), but she's best known for her young adult series (Pretty Little Liars and The Lying Game). I haven't read The Visibles, but I have read the first two Pretty Little Liars books (Pretty Little Liars and Flawless). I suspect that fans of Shepard's usual work will be disappointed with Everything We Ever Wanted. This new novel is quite different than her young adult books. It's not that the subject matter is more mature or that the book is written for an older audience. It's that the pacing is slow, there's an inexplicable lack of suspense, and the characters are for the most part unsympathetic.

There were so many things that I didn't like about the story (I won't include specifics for fear of spoiling) that it's hard for me to remember the things I did like. I appreciate the idea behind the novel (it's message, if you will), but I'm not fond of the execution.

Everything We Ever Wanted is coming out in October.

disclosure: I received a review copy of Everything We Ever Wanted from HarperCollins via NetGalley.

Eutopia by David Nickel

Please note that while this review doesn't include any big, end-of-novel spoilers, it does include a bit more plot detail than the publisher's blurb. Proceed with caution.

Eutopia by David Nickel

Subtitled "a novel of terrible optimism," Eutopia is a genre-bending novel with a title that promises a terrific blend of eugenics and utopia.¹

Set in 1911, Eutopia follows two outsiders navigating the remote mill town of Eliada, Idaho.

Andrew Waggoner is the junior physician at the Eliada Hospital. While his credentials are impeccable, he's a Negro and his presence is tolerated only because it is mandated by the town's patron.

17-year-old Jason Thistledown has miraculously survived a plague that killed the entire population of Cracked Wheel when his long-lost aunt arrives in the area as part of her census for the Eugenics Records Office. Untethered Justin agrees to accompany his aunt on to Eliada, where she has an appointment with a colleague.

Eutopia was not at all what I expected and I have to say that I didn't like it. I expected a story where the villains were overzealous proponents of eugenics. There were those, but the story also included a paranormal element that I just could not appreciate.

I enjoyed the beginning of the book and was intrigued by where I thought the author was taking the plot, but when it became apparent that the mysterious Mr. Juke was a faerie/monster rather than someone locked away for study because of his intriguing (to the eugenicist doctor) deformities, I lost interest. I did finish the entire book, but only because I had Eutopia slated for review.

I know there are readers out there who will love Eutopia, but I'm not one of them. The novel definitely leads more toward horror, so if you like horror (fantastic rather than realistic)² with a historical bent, you want want to give Eutopia a try.

1. For those of you unfamiliar with eugenics, it is a science (popular in the early 20th century) focused on bettering the human race (usually through the culling of undesirable elements; forced sterilization programs and the like). Here's a page with lots of information.
2. I don't usually read horror so I have no idea if those are the right adjectives to use. What I'm trying to get at is human "monster"(s) versus supernatural monsters.

disclosure: I received a review copy of Eutopia from ChiZine via NetGalley.

Domestic Violets by Matthew Norman

Domestic Violets by Matthew Norman

Domestic Violets and I did not get off to a good start. I was eager to read it, mostly because it was being touted on The Olive Reader,¹ but I was completely put off by the first chapter. I'm not even sure that I made it through the first chapter the first time I picked up Domestic Violets. The novel opens with its protagonist, Tom Violet, angst-ridden over his inappropriately flaccid penis. I had no patience for that so set Domestic Violets aside in favor of one of the other books loaded onto my Nook. If I hadn't gotten Domestic Violets from NetGalley and felt duty-bound to review it, I probably wouldn't have picked it up again. But, I'm glad that I did. By the time I finished Domestic Violets, my irritations² seemed minor.

So many aspiring writers dream of writing the great American novel.³ I can't say that Norman's debut is the novel, but it shows great potential. In Domestic Violets Norman writes thoughtfully and comedically about contemporary American life (the realities of and the disenchantment inherent therein).

Protagonist Tom does suffer from erectile dysfunction (as well as any number of other marital and employment-related difficulties), but his main problem is that he's an aspiring novelist living under the shadow of his hugely successful father. While it seems strange to think of bildungsroman with a 35-year-old protagonist, Domestic Violets is very much a coming-of-age tale. The action of the novel takes place over a relatively short amount of time, during which Tom finds both the need and the will to consider what he does and does not like about his life and make some necessary changes.

Domestic Violets will be published in September.

1. Check out the book you should read this fall.
2. Yes, that's irritations-plural. I wasn't keen on the Gregory character and the over-the-top way he and Tom interacted.
3. Maybe that should be Great American Novel.

disclosure: I received a review copy of Domestic Violets from HarperCollins via NetGalley.

The Book of Lies by Mary Horlock

The Book of Lies by Mary Horlock

We talk about getting away and seeing the world, but we never do. We stay here making the same mistakes, over and over. (8)

The Book of Lies opens in late 1985 with 15-year-old Cat Rozier admitting that she's murdered her best friend, Nicolette. Her narrative then begins to chart the short history of Cat's tumultuous relationship with Nic. Cat's written confession is interspersed with pages of documents that Cat found in her late father's office. Those documents tell the story of Cat's uncle Charlie, "who got in trouble with the Germans and ended up being starved and tortured and driven mad. He only just survived the War and he was the reason Dad made himself an expert on said German Occupation" (27).

Cat is such a wonderfully real character, a teenager through and through. Self-satisfied and self-loathing by turns, Cat is angsty and witty, judgmental and clueless. She's also a bit of a drama queen, a snarky one. Her voice is so very authentic (and that can be very hard to pull off). One line in particular made me laugh out loud.¹

Some readers may be put off by the novel's format (split narrative with footnotes), but I thought it worked really well for the story Horlock was trying to tell.² And, while Cat and Charlie's stories are quite different, they parallel nicely.

The novel is also full of truisms. This one had particular resonance for me: "I suppose that's the thing about History, there are always several versions of that thing we call the truth" (213).

The Book of Lies is a strong debut for Horlock. I do hope that people people aren't Guernsied out after The Guernsey Literary and Potato Peel Pie Society. The Book of Lies does deal with occupied Guernsey, but it has so much more to offer (if nothing else the 1980s storyline deals with bullying). I know lots of book clubs read Guernsey Literary (mine included) and while I think that The Book of Lies would provide plenty of discussion fodder on its own, it would be a perfect follow-up for Guernsey Literary.

The Book of Lies will be released in mid July.

1. I'm not quite sure why, but I found this hysterical at the time: "Mr. McCracken asked after Mum and called her a 'trouper,' but I thought he said a 'grouper,' which is a fish. I replied that Mum didn't like water and hot climates" (30).
2. And, I do love footnotes

disclosure: I received a review copy of The Book of Lies from HarperCollins via NetGalley.

Tiny Sunbirds, Far Away by Christie Watson

Tiny Sunbirds, Far Away by Christie Watson

"Sometimes, things fall apart," said Grandma, "so we can put them together in a new way" (395).

Blessing and her brother Ezikiel have grown up in the most fashionable part of Lagos. Their family had their own generator, sent the children to a posh private school, spoke only English, and were easily able to afford special foods for Ezikiel who is allergic to groundnuts (a staple in the Nigerian diet). All that changes, though, when Blessing's father is caught with another woman. When Father leaves, Blessing's mother Timi is unable to afford life in the city. She is forced to return to her family in Warri, the remote village where she grew up.

Warri is like a foreign country to Blessing and Ezikiel. The family, led by Alhaji (Blessing's grandfather), has converted from Christianity to Islam. The family's compound has no electricity or plumbing; gunboats float down the river. Alhaji is a trained petroleum engineer without a job. The family, 33 people in all,¹ must survive primarily on what the earnings of Grandma (a midwife) and Timi (who gets a job at a bar for employees of the western petroleum company). There's never enough money for medicine or school fees (let alone special oil in which to fry Ezikiel's meat), but Alhaji and his cronies at the Executive Club never go without brandy. Eventually Blessing is able to adapt and then thrive, but the environment proves toxic for Ezikiel.

Tiny Sunbirds, Far Away is told from Blessing's perspective. It is her coming-of-age story, but it is also the story of rural Nigeria and its growing pains. Watson addresses difficult political and social issues, but not heavy-handedly, incorporating them seamlessly into the story. Her handling of female circumcision is particularly well done and highlights the fact that for better or worse it isn't a black-and-white issue, at least not there.

The novel is on the long side (approximately 442 pages) and it is not an easy read (quite a few horrific things happen), but its story is compelling and Watson's prose lyrical. She peoples Tiny Sunbirds, Far Away with authentic characters (as much as a few of the characters and their actions bothered me, I can for the most part see people acting the way they did in similar circumstances; Alhaji and Celestine are both a bit over the top, but they are genuine at least in their self-centeredness). Blessing and Grandma, though, are the stars of the novel and the most flexible members of the family and the glue that holds it together.

I have decidedly mixed feelings about the novel's ending. It surprised me. I don't know, though, whether I'd prefer one thing to happen over the other. On the one level, I do, but I also see why Watson ended Tiny Sunbirds, Far Away the way that she did.

There is so much that could be said about Tiny Sunbirds, Far Away. It has enough meat to fuel a stellar book club discussion.

1. It was 25 at the beginning of the novel (Alhaji and Grandma as well as Alhaji's driver, his four wives, and seventeen children, and the orphan Boneboy), but two of the driver's wives are pregnant (+2), then Timi, Blessing, and Ezikiel arrive (+3), then Alhaji takes a second wife (+1) who becomes pregnant with twins (+2). There's also the imam for Alhaji's mosque, but I haven't counted him since I'm not sure if he works only for Alhaji.

disclosure: I received a review copy of Tiny Sunbirds, Far Away from Other Press via NetGalley. The e-galleys are like library e-books, though, they expire, so it's not like I actually get to keep it.

Mothers and Daughters

Mothers and Daughters by Rae Meadows

Examining the choices made by a line of women, Mothers and Daughters charts the secret history of one family. The story is told from three different perspectives, focused on the present day and the turn of the century.

Sam is a ceramic artist and new mother who is struggling with the idea of going back to work and worry about how motherhood will affect her creative output. Her mother, Iris, has come to terms with the fact that she's dying of cancer, but has yet to pass that acquiescence on to her children. 100+ years earlier, eleven-year-old Violet is running wild on the streets of New York City, her mother unable to care for her.

Mothers and Daughters deals with two meaty subjects: motherhood (and the sacrifices inherent therein) and the orphan train movement. But, while the novel was well-structured, it was too short to do justice to each of its three protagonists. On reaching the novel's final page, I was unsatisfied in spite of the fitting final chapter. Mothers and Daughters lacked the depth I expected from a novel exploring these themes.

Iris in particular was given short shrift. For me, Iris was no more substantial than Lilibeth (Violet's mother) despite being one of the novel's protagonists. On reflection, I think it might have been better for the novel as a whole to let Iris remain a secondary character and have her story revealed by her mother and daughter.

Violet and Sam are much more fully-drawn that Iris (though in my opinion Iris is a more interesting character than Sam). Violet is definitely the star of the novel. Her story is the most compelling.

While readers learn about the lives of Violet and Iris, Sam really doesn't. The box of mementos she receives from Iris via her brother is enough to show Sam that there is much that she doesn't know about her mother and grandmother, but we don't know how much she'll ever be able to learn about them.

Mothers and Daughters is not a bad novel, or a poorly written one. It just could have been so much better.

I'm not all that keen on the cover art for Mothers and Daughters. It's not bad, but it doesn't match the novel. Its technicolor pop seems out of character with the story and the butterfly wings on the child are whimsical (I suppose they are supposed to represent the innocence and imagination of childhood) where the novel is not. The advanced reader copy I received from the publisher had the cover pictured above, but was encased as pictured to the left. The wooden-box design is a direct reference to the box that Sam receives filled with Iris' mementos. I can't help but think that someone at the publisher must have realized too late that the cover art was a bit off.

disclosure: As should be obvious from the above, I received an advanced reader copy of Mothers and Daughters from Henry Holt.

Hotel Angeline

Hotel Angeline: A Novel in 36 Voices
The product of The Novel: Live!

I think that it's pretty safe to say that there's never been a novel like Hotel Angeline before. It was written by 36 authors (each writing for two hours) over the course of six days in October 2010. The Novel: Live! made novel-writing a performance art.

The plot, which was outlined before The Novel: Live! event is centered around 14-year-old Alexis Austin and the eccentric-full mortuary-turned-residential hotel run by her mother.

My favorite line was written by Jarret Middleton. He has Alexis say,

"Nothing's that simple anymore. I just got tossed into this world that I don't agree with, where everything drastically changes in an instant. [...] It feels like thirty-six authors are somewhere writing my life" (126)

That kind of self-reflexivity seems absolutely perfect for a novel written like Hotel Angeline. While some transitions between chapters were seamless, others were jarring. It was difficult for me to relate to Alexis because she was portrayed inconsistently enough that she seemed to have some sort of personality disorder (though most of the other characters survived their multiple authorship fairly well¹).

Hotel Angeline was well-plotted even though much of what happens in the course of the novel is a bit far-fetched. I didn't find it particularly compelling though. Despite the fact that the novel is short (258 pages), I didn't read it quickly. There were moments when I wanted more, but inevitably the close of the chapter came and that desire ended with it.

In the end I have to say that while I really wanted to like Hotel Angeline I appreciated idea behind the novel and its production, more than I enjoyed the novel itself. That's not to say that Hotel Angeline isn't worth a read particularly since proceeds from the sale of the novel will be donated to literacy programs making it a feel-good purchase.

Given constraints of its production, Hotel Angeline is a great achievement and I do believe that the individuals who planned The Novel: Live! achieved their goal, which was, as articulated by Garth Stein, "to build a solid, fun story that was a collaboration between three dozen writers, various editors, and an audience both live and virtual [...,] to create [...] a community" (11).

The thirty-six authors who wrote Hotel Angeline--Kathleen Alcalá, Matthew Amster-Burton, Kit Bakke, Erica Bauermeister, Sean Beaudoin, Dave Boling, Deb Caletti, Carol Cassella, Maria Dahvana Headley, William Dietrich, Robert Dugoni, Kevin Emerson, Karen Finneyfrock, Jamie Ford, Clyde W. Ford, Elizabeth George, Mary Guterson, Teri Hein, Stephanie Kallos, Erik Larson, Stacey Levine, Frances McCue, Jarret Middleton, Peter Mountford, Kevin O'Brien, Julia Quinn, Nancy Rawles, Suzanne Selfors, Jennie Shortridge, Ed Skoog, Garth Stein, Greg Stump and David Lasky, Indu Sundaresan, Craig Welch, and Susan Wiggs--are all Seattle-based. While I've read a few of the authors and know of some of the others, I was surprised at my overall lack of name recognition. But, part of what's so wonderful about Hotel Angeline is how it offers readers a taste of so many different writers. I particularly liked Stephanie Kallos' chapter (31) so I'm planning to check out one of her novels.

I did have a technical difficulty when reading Hotel Angeline.² Chapter 11, which is presented in a graphic-novel format (Greg Stump and David Lasky), wouldn't display on my Nook so I had to visit my computer to read that portion of the novel.

disclosure: I received a review copy of Hotel Angeline from Open Road Media via NetGalley.

1. Alexis' girlfriend Linda was the only other one who was noticeably uneven.
2. While I did read a pre-publication copy, the novel is only being released as an e-book so I assume that the problem may still exist