I'd been ill for about a week before I was actually able to remember that I wanted to look up "flu" in
The Novel Cure, which I received for my birthday (see
post) when I was actually in the position to find the book. Even though I'd had the book since the end of September, I hadn't actually gone to it looking for a novel cure to anything before now.
In
The Novel Cure, Elderkin and Berthoud suggest Agatha Christie, specifically Poirot, as a cure for the flu. They recommend
The Murder of Roger Ackroyd. Unfortunately I didn't have any Christie in the house and the public library didn't have any ebook or e-audio versions available to check out. I refuse to pay for ebooks so I was out of luck. Following Elderkin and Berthoud's logic, I decided that what I needed was an engrossing mystery.
source:
my mom
(she picked it up at the take-a-book-leave-a-book shelf at a hotel)
(published as
Midnight Riot in the US)
series: Peter Grant (1)
A paranormal police procedural,
Rivers of London takes place in a modern day London, in which the Metropolitan Police Service has a special, secret branch responsible for dealing with "the magic" when it poses a threat to the Queen's peace. Probationary Constable Peter Grant (protagonist and first-person narrator) learns of the secret branch when he's assigned to assist Detective Chief Inspector Thomas Nightingale with a case. That doesn't happen, though, until after Grant has interviewed an eyewitness to a murder who just happens to be a ghost.
The primary storyline (serial murder) was a bit overcomplicated
1 for my flu-addled brain, but I enjoyed
Rivers of London nonetheless. The secondary (titular) storyline was quite interesting and easy to follow. I also appreciated the overarching story of the protagonist as he first discovers the world of magic and then becomes an apprentice wizard.
Aaronovitch does a great job of world-building. There's the recognizable and well-described London from which he lifts the veil. He gives readers just enough paranormal activity to indicate the extent to which magic permeates his world, but not enough to overwhelm them and/or the story. British magic has an interesting backstory (Isaac Newton "codif[ied] its basic principles," 81) as I'm sure does Nightingale, to whom Grant becomes apprenticed. Home base for the secret branch (The Folly) is also populated by an inexplicable character named Molly, who is indispensable to the functioning of the branch.
Peter Grant is an everyman character (mixed race, distractible, and decidedly average with the exception of an aptitude for magic). He also has two love interests: another probationary constable (who I assume will be a recurring character in the series as it goes forward) and a magical person he encounters in the course of his work on the titular storyline.
I read
Rivers of London ravenously and I'm quite eager to read more of Peter Grant's adventures. There are three more books (so far) in the series, but it seems like only the second installment (
Moon Over Soho)
2 has been published in the US so far.
3
A note on the cover art. I
much prefer the art on
Rivers of London (and the other British editions) to the art on
Midnight Riot (and the other American editions). I felt that way even before scanning other reviews and coming across one that mentioned a concern about white-washing with regard to the American editions.
4 The art of the British covers focuses on the city, while the art of the American cover focuses on the character (and with that character focus, obscuring the race is problematic). Additionally, the British editions are quirky, with little details (about the story and about London) hidden in the artwork. I love that.
- It's described thusly (from the perspective of PC Grant) on the Rivers of London page of the author's website: "there’s something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair. The spirit of riot and rebellion has awakened in the city, and it’s falling to me to bring order out of chaos – or die trying" (The Folly/Books/Rivers of London).
- Thankfully they haven't changed the title of this one for the American audience.
- Though a quick search of the public library catalog informs me that I can also get #3, Whispers Under Ground, from the library even though my branch doesn't have a copy.
- Neth Space shows two different versions of both American editions' covers and discusses this issue, see Neth Space: Another White-washed Cover?. I don't particularly either version of either of the American covers. The British cover art is much more appealing to me on many different levels.
I don't remember the last time I "read" an audiobook so quickly. I finished Graceling today, only four days after I checked it out from the library's e-audio repository. Between recovering from the flu and the heavy snow (read: time spent outside shoveling), I've had lots of opportunity to listen lately, but I have to admit that I also made time to listen. I was utterly charmed by Graceling and by its main characters Katsa (despite her decidedly unsympathetic special ability) and Po (and also by Bitterblue, a secondary character, who seems to be the protagonist of the series' third installment). I wanted to know what would happen to them, if they'd be able to overcome the obstacles they were facing, so I manufactured listening time.
I purchased 
I've had 
It was common knowledge that in the hills, with infinite hiding places, bodies disappeared. They were fed to hogs or buried deep in the woods or dropped into abandoned wells. They were not dismembered and set out on display. It just wasn't how things were done. It was that lack of adherence to custom that seemed to frighten people the most. Why would someone risk getting caught in order to show us what he'd done to Cheri when it would have been so easy to keep her body hidden? The only reasonable explanation was that an outsider was responsible, and outsiders bred fear in a way no homegrown criminal could. (12)