Washington Irving Book Awards

Last Friday I attended part of the Westchester Library Association conference and its Washington Irving Book Award event.

The Washington Irving Book Award (given biennially) honors books by Westchester authors for books published in the past two years. Books are vetted by a committee of librarians based on readability, literary quality, and wide general appeal.

The event included Jonathan Kruk as Washington Irving, short speeches by the award-winning authors, Q&A, and book-signing.

Seth Godin (Linchpin) was persona non grata after his lunchtime presentation on the future of libraries so he didn't stick around for the award event (I guess librarians are as resistant to change as everyone else).¹ There were a few other winners that weren't at the award ceremony.² I hope they had good excuses because each of them now has a black mark in my book.

Quite a few of the authors in attendance adapted their speeches because they felt the need to respond to Godin and nearly all of them shared their feelings about libraries and librarians. I left the room wanting to read all the books (even those I wouldn't normally consider) because the authors were charming and appreciative.

I do have to say that my favorite part of the event was during the question-and-answer period when someone asked about where the authors worked. Each author answered in turn and their responses were diverse (though apparently Jonathan Tropper and Jeff Pearlman fight over a table at the Cosi in New Rochelle). Right after the last award-winning author responded, Kruk/Irving popped up and explained his writing habits. It was a lovely surprise and made everyone grin.

Now without further ado, here are the award-winners (minus the absentees):

Fiction:

• Diamond Ruby by Joseph Wallace
  At the research library at the Baseball Hall of Fame Wallace came across a photograph of a teenage girl in uniform shaking hands with Babe Ruth (Lou Gehrig standing by). That girl was baseball phenom Jackie Mitchell, who it seems is the reason that women were banned from professional baseball in the 1930s and she was in the inspiration for Diamond Ruby, the author's first novel (he's written nonfiction in the past).
• In the Shadow of Gotham by Stefanie Pintoff
  Another debut novel. Pintoff's protagonist, detective Simon Ziele, leaves Little Germany in the wake of the General Slocum disaster to settle in Dobson (a fictional town that's a bit of Dobbs Ferry, Hastings, and Irvington) only to have his peace shattered by a brutal murder nearby. Apparently In the Shadow of Gotham is full of period detail and highlights early criminology.
• The Man Who Never Returned by Peter Quinn
  The sequel to The Hour of the Cat, The Man Who Never Returned follows the investigation into inexplicable 1930 disappearance of NYC judge Joe Crater.
• Scared to Death by Wendy Corsi Staub
  The sequel to Live to Tell; a thriller. Don't read the Publishers Weekly review as it seems to give away far too much about the plot.
• This is Where I Leave You by Jonathan Tropper
  Judd's perfect life comes crashing down when he loses his job and wife in the same day (yep, his wife's sleeping with his boss). To make matters worse his father dies the same day and he's stuck sitting shiva with his unbearable family. It's going to be a long seven days.

Nonfiction:

• American Passage: The History of Ellis Island by Vincent Cannato
  An engaging history of Ellis Island from a University of Massachusetts at Boston professor (does he live in Westchester when school's not in session?).
  It seems like Cannato tries to bridge the gap between popular history and the academy.
• Closing Time: A Memoir by Joe Queenan
  One of the things Queenan said in response to Godin's talk was "the Visigoths and Huns will always be at the gates, but I don't see why we should invite them in" (that quote's from memory so it may not be 100% accurate).
  In Closing Time he writes about growing up in a Philadelphia housing project.
• Frank: The Voice by James Kaplan
  A biography of Frank Sinatra
• Imperial Cruise: A Secret History of Empire and War by James Bradley
  Bradley's father was one of the guys immortalized in the Iwo Jima Memorial, but he never talked about what happened in Iwo Jima. Bradley's desire to research and share that story is what started his writing career.
  This book looks a bit further in the past to Theodore Roosevelt and the US's early involvement in Asia.
• The Rocket that Fell to Earth: Roger Clemens and the Rage for Baseball by Jeff Pearlman
  I wouldn't normally think of picking up a book like this, but Pearlman won me over when he spoke about a disastrous book-signing he had at Fort Hood.
• This Book is Overdue: How Librarians and Cybrarians Can Save Us All by Marilyn Johnson
  This is exactly the kind of book that goes over well with librarians.
• Walking Papers: The Accident that Changes My Life and the Business that Got Me Back on My Feet by Francesco Clark
  After hearing Clark speak I have no doubt that this is an inspirational book. I am particularly impressed with the fact that he didn't use his speech as an opportunity to talk about his company.³ He spoke exclusively about his injury, his path to recovery, and how he came to write the book and he's the only one of the author's who got cut off by the moderator.

I haven't spent any time looking into the past winners of the award so I don't know whether the book's chosen this cycle are typical or not, but I have to say that I was struck by a lack of diversity in the fiction winners. We have non-genre fiction, historical fiction, and mystery/thrillers. I can see sticking to more serious fiction for awards, but if you are going to include allow truly popular fiction then I think you need to be open to all genres. I can't believe that there no Westchester authors who write romance or science fiction, horror or fantasy.

ETA: I didn't pick up a copies of any of the books since I'm currently on book acquisition ban (see post) and, believe me, there were quite a few that I was dying to bring home with me.

1. While I didn't agree with everything that Godin said (I just can't go all the way and say Wikipedia is a-ok for school kids; I still think everyone needs to learn about the importance of evaluating sources), I do agree that the library as we know it is on its way out and that we need to adapt in order to survive.
2. Don Delillo (Point Omega), Andrew Gross (Reckless), Scott L. Malcomson (Generation's End), and Cynthia Ozick (Foreign Bodies).
   
3. He mentioned it (I think he had to say something about it because it's in the title of his book), but I didn't know why he started a skincare line until I looked up a detailed synopsis of his book.

Skylark Farm

Skylark Farm by Antonia Arslan
translated by Geoffrey Brock

Winner of the 2004 Premio Campiello (a prestigious Italian literary prize), this debut novel by a former professor of modern and contemporary literature at the University of Padua tells the story of one family during the 1915 Armenian genocide in Turkey.

Based on the author’s own family history, Skylark Farm is written with immense sensitivity. The author treats the subject as well as her readers with care, ever mindful of their tolerance for violence. One of the things that makes the novel stand out is that despite the horrific subject matter, Skylark Farm also manages to be part adventure story as it chronicles the escapades of the family’s would-be rescuers.

disclosure: I received an advanced copy of this book to review for Library Journal when the book came out a few years ago. As far as I know the review never appeared in periodical.

on weeding our book collection (post 1 of ?)

We've just moved. We're still in the process of unpacking. Moving is really not my favorite thing to do.

Russell and I both freely admit that we have a bit of a book-collecting problem.¹ Our books were here there and everywhere in our old place. Many were packed away in boxes and we had bookcases packed in most cases two books-deep nevertheless we had freestanding piles. I refuse to let things continue that way in the new place.

I want books to be on bookcases and organized in such a way that we can actually find something when we want to read it. And, I'm willing to weed mercilessly in order to make that happen.

I did get rid of around 300 books (mostly to a book drive) before we left, but I still have far too many. I'm trying to weed as we unpack book boxes. I've come up with some general rules for myself and I'm trying (though not always succeeding) to be ruthless.

If I've already read a book, I'll only keep it if I genuinely think I'll reread it or if I need to have it around for reference.
When I encounter a to-be-read book, it will only be kept if it meets one of the following conditions:

• It's a classic that I really do need to get around to reading.
• I remember its premise and am still interested.
• Its synopsis appeals to me right now.
• It came highly recommended from someone whose opinion in books I trust implicitly.

Of course I've kept some books because I liked their titles (Geographies of Home by Loida Maritza Perez) or they were written by an author whose work I've enjoyed in the past (Surfacing by Margaret Atwood) or because it's related to my job (a bunch of the books from oral history class I took in grad school) or any number of other (il)logical reasons. Regardless, I am making progress.

1. I have to say that at least on my part BookCrossing is partly to blame. When I decided to participate I thought it'd be a good way to get rid of books. It was in fact a catalyst for book acquisition. I started picking up free or unbearably cheap books to bookcross, there are affiliated sites that aid in the trading of bookcrossing books, and once people knew that bookcrossing was something I did they gave me books they no longer wanted so that I could bookcross them. The problem was that often these books never left the apartment, even those acquired expressly for bookcrossing.

follow friday question

My second week for this meme.

What is the most emotional scene in a book that you have read lately?

Probably the death of George in White Woman on the Green Bicycle by Monique Roffey (review forthcoming). Many of the scenes with Abram in The Unthinkable Thoughts of Jacob Green by Joshua Braff (post) were pretty difficult in a different way (Abram is verbally and emotionally abusive).

books from the library shelves: American Writers at Home

William Faulkner’s study at Rowan Oak.
The writing on the walls is an outline for Faulkner's
Pulitizer Prize- and National Book Award-winning A Fable.

American Writers at Home by J. D. McClatchy
Photographs by Erica Lennard

"This is not a book about writers, or about houses, or about America. It is a book about where and why and how American writers made a home for themselves--a place to live, yes, but above all a place to work—in a restless, rugged country" (McClatchy's introduction)¹

Featuring 300 lush and lovely full-color photographs of the homes of 21 American writers American Writers at Home is a glorious, yet substantive coffee-table book.

Like all (most?) coffee-table books, American Writers at Home inspires multiple visits rather than a cover-to-cover read. Readers will love seeing the space their favorite writers inhabited and hearing the author's take on how each of the authors' environments inspired them. American Writers at Home may also inspire some literary pilgrimages as all of the properties featured in the book, with the exception of Edna St. Vincent Millay's Steepletop, are open to the public.

While McClatchy does include a mini bibliography for each author/house at the end of American Writers at Home, he fails to provide references for individual quotes. This isn't a scholarly text, but the lack of citation drives me crazy and is probably the one thing that I do not like about this book.

One of the sites featured is Washington Irving's Sunnyside. McClatchy says of Sunnyside, "In one sense, the house [...] resembled the author's own past. It was a congeries of European motifs and pure American whimsy" (115). I think that's appropriate for an 18th century cottage to which Irving added Dutch stepped gables and a Spanish monastery-esque tower among other things.

The other authors and properties included in American Writers at Home (note how many of our authors hail from Massachusetts and Concord in particular):

• Louisa May Alcott: Orchard House (Concord, MA)
• Kate Chopin: Kate Chopin House (Cloutierville, LA)
• Emily Dickinson: Dickinson Homestead (Amherst, MA)
• Frederick Douglass: Frederick Douglass House (Washington, DC)
• Ralph Waldo Emerson: Emerson House (Concord, MA)
• William Faulkner (Rowan Oak, Oxford, MS)
• Robert Frost: Robert Frost Farm (Derry, NH)
• Nathaniel Hawthorne: The Old Manse (Concord, MA)
• Ernest Hemingway: Ernest Hemingway Home (Key West, FL)²
• Robinson Jeffers: Tor House (Carmel, CA)
• Sarah Orne Jewett: Jewett House (South Berwick, ME)
• Henry Wadsworth Longfellow: Craigie House (Cambridge, MA)
• Herman Melville: Arrowhead (Pittsfield, MA)
• Edna St. Vincent Millay: Steepletop (Austerlitz, NY)
• Flannery O'Connor: Andalusia (Milledgeville, GA)
• Eugene O'Neill: Tao House (Martinez, CA)
• Mark Twain: Mark Twain House (Hartford, CT)
• Eudora Welty: Eudora Welty House (Jackson, MS)
• Edith Wharton: The Mount (Lenox, MA)
• Walt Whitman: Walt Whitman House (Camden, NJ)

You can learn more about the book, and see sample pages, on its website at The Library of America.

Also, if you like this kind of thing, you might want to check out Write Time, Write Place. The blog features contemporary authors on their writing spaces (with snapshots!) as well as quotes about the act of writing.

1. I forgot to note the page number. Will edit it in after I get my hands on the book again.
2. While I love the fact that his property currently has 60 cats in residence (per house website), I'm not crazy about the taxidermied fish on display.

The Unthinkable Thoughts of Jacob Green

The Unthinkable Thoughts of Jacob Green by Joshua Braff

According to Bookcrossing, I've had a copy of The Unthinkable Thoughts of Jacob Green sitting on my shelves (or in a box) for more than four years. It came highly recommended (by someone whose opinion I value), but I just never got around to reading it before now.

I have to say that I have mixed feelings about this book. It was a quick read and parts of it were laugh-out-loud funny. Here's one of Jacob's unthinkable thank-you cards below, unfortunately it doesn't have any of his trademark misspellings:

Dear Effie and Mel Greenstein,
I'm so sorry this card is late. [...] I really like the generous gift you gave me for my Bar Mitzvah. I had no idea that they made bookends out of Jerusalem stone. With the help of my brother and my friend Jon we were able to hoist them up on my bookshelf yesterday. They looked really great up there before my shelving collapsed into a cloud of snapped particleboard. No one was hurt. I think I'm going to keep them on the floor. Thank you very much again. You both rock, Effie and Mel. Get it?
Sincerely,
Jacob (142-143)

As a male's coming-of-age tale, The Unthinkable Thoughts of Jacob Green is a bit heavy on masturbation and sexual fantasy. I'd have wished for a bit less, but I understand it's roll. Some readers may also find the details of Jewish religious observances a bit tedious. I'd never heard of the Tefillin (Jacob: "forever my vote for most bizarre Judaic ritual," p. 80) so I found the explanations of that particularly interesting. Mostly though it is my dislike for Abram (Jacob's father) that overwhelms all the positive feelings I have about the book.

mother's day

My mom's birthday is May 8th. It's nice to have a spring birthday, but she suffers the fate of many a child with a December birthday: one present for two holidays. I admit that I've given the Mothers-day-birthday gift more than once, but I'm going to try to avoid doing that in future.

For her birthday this year, I gave her a Barnes and Noble e-giftcard with express instructions to use it to buy a couple of novels to read on her Nook. I chose A Fierce Radiance by Lauren Belfer and Caleb's Crossing by Geraldine Brooks for her.

She loves historical fiction. Caleb's Crossing is set on Martha's Vineyard and tells the story of the first Native American to graduate from Harvard. It's told from the perspective of the daughter of the man who takes the protagonist under his wing (of course she can't got to Harvard since she's a woman). A Fierce Radiance is about the development of penicillin. It's a perfect book for my mom as it's medical historical fiction.

For Mother's Day, I got her this lovely orchid:
While wandering aimlessly around the fancy garden store trying to pick out a plant for her, I found myself drawn to this particular plant. Most of what I know about orchids I learned from reading Susan Orlean's The Orchid Thief (see post). Luckily my parents have the Time-Life Encyclopedia of Gardening and one of the volumes has a section on the care and handling of orchids as houseplants.

follow friday question

Because I haven't participated in a meme for quite some time (and because my feed reader needs some fresh blood), I thought it might give this blog-hop, hosted by Parajunkee, a try.

Circle time! Time to share. What character in a book would you most like to be, what character in a book would you most like to date?

Ok, well now I remember why I stepped away from memes like booking through thursday: I have such a hard time answering the majority of the questions! Oh, well, here goes nothing...

I think it'd be fun to the Thursday Next from Jasper Fforde's Thursday Next series. She lives in such an interesting world and how much would I like to have a pet dodo and a footnoterphone.¹

As for the second question, if I continue to see myself as Anne Elliot (see post), then the logical answer is Captain Wentworth. I think I'll stick to that answer for now as I think I could waste an inordinate amount of time thinking about other possibilities.

1. Jurisfiction glossary entry. I love footnotes!

Motel of Mysteries

Motel of Mysteries by David Macaulay

In the year 4022 amateur archaeologist Howard Carson stumbles upon an unparalleled find, an exquisitely preserved chamber of a "funerary complex" that predates the great disaster of 1985. Closely following the work of Carson, Motel of Mysteries tells of that discovery and its aftermath.

By showcasing a truly misguided interpretation of late 20th century America, Motel of Mysteries clearly illustrates the perils involved in studying the past through artifacts.

A sample of Carson's analysis:

Surrounding almost the entire complex was a vast flat area, marked with parallel white lines. In several of the spaces stood freely interpreted metal sculptures of animals. To avoid the misunderstanding that often arises with free interpretation, each sculpture was clearly labeled. They were inscribed with such names as Cougar, Skylark, and Thunderbird, to name but a few. The importance of animal worship in Yank burial customs had never been more clearly illustrated. (40)

Motel of Mysteries is insightful and full of wry humor. As Carson and his compatriots excavate the motel, readers can't help but marvel at the lengths to which they must go to fit individual objects into their erroneous interpretation of the site.

Given the book's 1979 publication date, I suspect Macaulay is primarily poking fun at the archaeology/Egyptology craze spawned by the 1970s The Treasures of Tutankhamun exhibit (the motel's name is "Toot'n'C'mon" and there's a curse associated with the excavation). Regardless, Motel of Mysteries is still laugh-out-loud funny 20+ years later.

Motel of Mysteries is a must-read for any student of history, archaeology, or museum studies. We are getting multiple copies for our library.

Hotel Angeline

Hotel Angeline: A Novel in 36 Voices
The product of The Novel: Live!

I think that it's pretty safe to say that there's never been a novel like Hotel Angeline before. It was written by 36 authors (each writing for two hours) over the course of six days in October 2010. The Novel: Live! made novel-writing a performance art.

The plot, which was outlined before The Novel: Live! event is centered around 14-year-old Alexis Austin and the eccentric-full mortuary-turned-residential hotel run by her mother.

My favorite line was written by Jarret Middleton. He has Alexis say,

"Nothing's that simple anymore. I just got tossed into this world that I don't agree with, where everything drastically changes in an instant. [...] It feels like thirty-six authors are somewhere writing my life" (126)

That kind of self-reflexivity seems absolutely perfect for a novel written like Hotel Angeline. While some transitions between chapters were seamless, others were jarring. It was difficult for me to relate to Alexis because she was portrayed inconsistently enough that she seemed to have some sort of personality disorder (though most of the other characters survived their multiple authorship fairly well¹).

Hotel Angeline was well-plotted even though much of what happens in the course of the novel is a bit far-fetched. I didn't find it particularly compelling though. Despite the fact that the novel is short (258 pages), I didn't read it quickly. There were moments when I wanted more, but inevitably the close of the chapter came and that desire ended with it.

In the end I have to say that while I really wanted to like Hotel Angeline I appreciated idea behind the novel and its production, more than I enjoyed the novel itself. That's not to say that Hotel Angeline isn't worth a read particularly since proceeds from the sale of the novel will be donated to literacy programs making it a feel-good purchase.

Given constraints of its production, Hotel Angeline is a great achievement and I do believe that the individuals who planned The Novel: Live! achieved their goal, which was, as articulated by Garth Stein, "to build a solid, fun story that was a collaboration between three dozen writers, various editors, and an audience both live and virtual [...,] to create [...] a community" (11).

The thirty-six authors who wrote Hotel Angeline--Kathleen Alcalá, Matthew Amster-Burton, Kit Bakke, Erica Bauermeister, Sean Beaudoin, Dave Boling, Deb Caletti, Carol Cassella, Maria Dahvana Headley, William Dietrich, Robert Dugoni, Kevin Emerson, Karen Finneyfrock, Jamie Ford, Clyde W. Ford, Elizabeth George, Mary Guterson, Teri Hein, Stephanie Kallos, Erik Larson, Stacey Levine, Frances McCue, Jarret Middleton, Peter Mountford, Kevin O'Brien, Julia Quinn, Nancy Rawles, Suzanne Selfors, Jennie Shortridge, Ed Skoog, Garth Stein, Greg Stump and David Lasky, Indu Sundaresan, Craig Welch, and Susan Wiggs--are all Seattle-based. While I've read a few of the authors and know of some of the others, I was surprised at my overall lack of name recognition. But, part of what's so wonderful about Hotel Angeline is how it offers readers a taste of so many different writers. I particularly liked Stephanie Kallos' chapter (31) so I'm planning to check out one of her novels.

I did have a technical difficulty when reading Hotel Angeline.² Chapter 11, which is presented in a graphic-novel format (Greg Stump and David Lasky), wouldn't display on my Nook so I had to visit my computer to read that portion of the novel.

disclosure: I received a review copy of Hotel Angeline from Open Road Media via NetGalley.

1. Alexis' girlfriend Linda was the only other one who was noticeably uneven.
2. While I did read a pre-publication copy, the novel is only being released as an e-book so I assume that the problem may still exist

Frost Moon

Frost Moon by Anthony Francis

Set in an Atlanta teeming with paranormal subcultures, Frost Moon is the first in an intriguing urban fantasy and not-so-cozy mystery series.

The novel's protagonist, Dakota Frost, is the self-proclaimed "best magical tattooist in the Southeast" and a skindancer, someone who can harness the magical energy stored in her tattooed skin. As a member of the Edgeworld, Dakota eschews the traditional secrecy surrounding magic, encourages collaboration between practitioners, and is committed to "dragging magic kicking and screaming into the light" (28).

The novel opens with Dakota being brought to the police station. The Atlanta PD are working with the Federal Department of Extraordinary Investigations because there's a serial killer on the loose who is targeting individuals with magical tattoos. They need her expertise and her client list. They also want her to be careful since she fits the victim profile. Dakota doesn't have time to be careful, though. She's just been invited to have her skill challenged by a world-famous debunker on national television, but before she can prepare for that Dakota has to get an arcane control-charm checked out for her antsy new werewolf client.

Frost Moon is author Anthony Francis' debut novel and it reads like a first novel. It seems like the author tried to pack far too much into one book. The world he creates is genuinely interesting and rich, but much momentum is lost in his need to showcase and explain every subculture. Additionally situations and characters are often overcomplicated. For example, Dakota's ex-girlfriend is a vampirologist who had herself turned into a vampire for academic reasons. But, in addition to being a lesbian and a vampire, she's the ruler of the vampires in Dakota's neighborhood (despite the fact that she's very young) and into bondage and a devout Christian.

Dakota is a well-developed and for the most part sympathetic character, but her nearly universal sex-appeal is not believable. She may be stunning and large-breasted, but Dakota is also 6'2" with a deathhawk and covered in tattoos (author's rendition of Dakota). With that strong and distinctive a look she can't possibly be to everyone's taste, yet it seems that almost every man (and woman) who meets Dakota wants to have their way with her.

All that being said, the story itself was compelling and the world Francis has created is rich enough to support any number of sequels.

You can read an excerpt from Frost Moon on the publisher's website.

ETA disclosure: I received a review copy of Frost Moon from Bell Bridge Books via NetGalley.

why you really don't wish you were a character in a historical romance

When you read historical fiction (or some classics like Jane Austen's novels), you can't help but feel a wave of nostalgia. You imagine what your life would be like if you were born in whatever time period you happen to be reading about. During those moments you dwell on the idealized version of the past. You are always that lady of the manor rather than a housemaid or a tenant farmer. You contemplate the beautiful clothes, the refined manners, but never the logistics of really living during that time.

My mother has been reading The Women of the House by Jean Zimmerman (a book from our library, by the bye) and she just had to share the following passage with me:

[In the 1690s, no] woman, though, not even Catherine [van Cortlandt Philipse], would dream of shielding her nether regions by pulling on a pair of underpants, even when she menstruated. Women simply bled into their clothing--we're talking about roughly thirty years of monthly "accidents," except for the months a woman spent pregnant. [...] Perhaps the practice of ignoring the issue had its advantages: One historian surmised that far from finding menstrual blood a turnoff, men of the era perceived the aroma of a woman's monthly flow as intensely seductive. And that is fortunate, since bathing with soap and water still was actively frowned upon, with the inevitable gaminess ameliorated mainly by sachets sewn into clothes linings. (178)

As a nurse and proponent of personal cleanliness, this passage made her shudder. I believe the not-bathing part, but I'm skeptical about the bleeding-out. Either way, though, it served as a reminder (see post title).

NetGalley

This morning as I was catching up on my blog reading, I happened across a reference to NetGalley.¹ It sounded promising so I went to check it out straight away.

NetGalley "delivers secure, digital galleys to professional readers." The site considers you a professional reader if you are a reviewer, blogger, journalist, librarian, bookseller, educator, or member of the media. That definition is pretty broad and it may well cover the majority of this blog's readers.

Here's how it works:
You create an account on the site, after which you can search all the books available for request (you can also browse the catalog by genre, publisher, or date added).
Once you have an account you can request any of the titles, but almost all of the requests are vetted by the publishers (I did request one title that had automatic approval). Each publisher has different reviewer guidelines, which are outlined on the What are publishers looking for? page. Because the publishers screen you before approving your requests, it seems like you'll have better luck if you include lots of information in your profile (they call the part of the profile that the publishers can see your "public bio").
It seems like the majority of the time you'll be able to get the books you want in a format that'll work with the reader of your choice (using Adobe Digital Editions for rights management just like when you borrow ebooks from the library), but NetGalley also has a web-based reader.
Once you read the book, you still post your review in whatever places you would normally post it (whether that's on your blog, bookseller websites, or other review sites like LibraryThing and GoodReads), but notify the publisher about your review (and share a copy) through NetGalley (more details about this are on the Before you Request page).
The site also has Groups and Communities, but I haven't yet figured out what their purpose or how they work.

In any case, I have a long train ride on the schedule for Saturday so I've requested a bunch of books in the hopes of getting approved for a few in time to load them onto my Nook before the trip.

1. It was in this post on The Olive Reader (a blog associated with HarperPerennial).
   Another aside: the book mentioned in the post (Domestic Violets) sounds promising, doesn't it? I requested it via NetGalley so I'll be posting a review once I've read it.

gorgeous cover art

I saw this once and lost track of it before I got around to posting about it, but then I saw it again today.

Per this Atlantic article, three titles set to come out as Penguin Classics Deluxe editions this fall will be part of a new Penguin Threads series.

Penguin commissioned Jillian Tamaki to design (and stitch!) the cover art for Black Beauty, Emma, and The Secret Garden.

Of course I have to have these editions even though I'm sure I already have copies of each of these novels. What I particularly like is that apparently the covers are going to be printed in such a way to lend texture and emphasize the stitchwork.

Check out Tamaki's blog post about the project. It has some great in-progress shots.

series reading

I finished the second and third books of Cassandra Clare's Mortal Instruments series. I have to say that things got better for me after City of Bones (see post). I'm definitely interested in reading the other books in the series (and in the Infernal Devices series, which is set in that same world; the books are supposed to be prequels, but they're all steampunky), but I think I'll be relying on the library rather than purchasing copies.

I should be reading Wings of the Dove, as it's the Buffalo book club selection for this month, but I'm neglecting it in favor of Steig Larsson's Millenium trilogy. I enjoyed The Girl with the Dragon Tattoo (see post) so I know what I'll be getting from Larsson and I just had a hard time getting into Wings of the Dove.

being a librarian

A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. So the librarian protects the books not only against mankind but also against nature and devotes his life to this war with the forces of oblivion.
- Umberto Eco¹

In my old job I was a Librarian. Yes, librarian with an capital L. I was an archivist, but I was also a Librarian (Senior Assistant Librarian for most of my tenure). Librarian is some academic libraries have faculty status so Librarian is a formal title indicating rank just like Professor. In this academic world not all librarians are Librarians and, yes, I freely admit that I occasionally caused a bit of uproar by using the term librarian (little L) unintentionally excluding people when others assumed I meant Librarian-with-a-capital-L.

While I served on library committees, worked with librarians on various projects, presented at library conferences, and occasionally prodded subject specialists to add certain titles to the circulating collections, I wasn't really a librarian. Or, at least I didn't feel like one despite by ALA-accredited degree and Nancy Pearl action figure.²

Now in this new position I really am a librarian. While I'm mostly a department head, an archivist, and a records manager, I oversee a library. There's a circulating collection and rare books and satellite libraries, oh my! And I'll be helping with many of the library functions as well as working on implementing an electronic catalog (yes, we still have a card catalog). It's quite exciting to be a librarian. In addition to learning about the collections under my care and about my new employer as a whole, I'm accustoming myself to thinking like a librarian more of the time.³

Since I'm not going to be doing book-of-the-month posts for the student services blog anymore, I thought I might occasionally feature a book from my new library's collections. These will likely be different types of books than I've usually featured on the blog since our collection doesn't include much fiction and is pretty geographically and historically specialized. It should be interesting and I think it'll help me get a better handle on the types of books we collect (our collection development policy circa 2000 is detailed, but it needs some updating).

1. The Name of the Rose (48). The quote doesn't really have anything to do with what else I wrote in the post (and is equally relevant to the archival profession), but I decided to include it anyway.
2. I have both the original and deluxe.
3. People often think that archivists view the world the same way as librarians. I'm as guilty as the rest as my simple explanation of what I do occasionally goes something like this:
   - What do you do?
   - I'm an archivist
   [silence accompanied by blank stare]
   - a special kind of librarian
   (though usually I've just said that I work in the special collections area of the library). However libraries and archives have different roles leaving librarians and archivists with very distinct points of view (some simplistic differences: secondary vs. primary sources, item- vs collection-level description, access vs. preservation). Thinking as an archivist I'm liable to want to throw out much of what I as a librarian should want to keep to ensure we have a robust collection.

City of Bones

City of Bones by Cassandra Clare

When fifteen-year-old [Clarissa (Clary)] Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder—much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. Then the body disappears into thin air. It’s hard to call the police when the murderers are invisible to everyone else and when there is nothing—not even a smear of blood—to show that a boy has died. Or was he a boy?
This is Clary’s first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons. It’s also her first encounter with Jace, a Shadowhunter who looks a little like an angel and acts a lot like a jerk. Within twenty-four hours Clary is pulled into Jace’s world with a vengeance, when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in ordinary mundanes like Clary and her mother? And how did Clary suddenly get the Sight? The Shadowhunters would like to know...

I've been meaning to read Cassandra Clare's Mortal Instruments series for quite a while as it comes highly recommended by a number of people. I used a gift card on a box set of the first three books even though I'm not really supposed to be purchasing books. Two people whose combined good opinion seem to ensure that I'll love a book both recommended the series so I felt confident that I'd enjoy Mortal Instruments.

City of Bones is the first book in the Mortal Instruments series. I've already started reading book two, City of Ashes.

As of right now, the jury is still out on the Mortal Instruments series. It may be that my expectations were too high, but I have to admit that I was disappointed in City of Bones (I also should mention that I'm reading these books at a time of stress and change so I may have less patience than usual). The world that Clare creates is interesting, but the storyline of this first installment is quite derivative and I really didn't think it was well-written (I can overlook quite a bit of less-than-stellar writing, but I found myself cringing at times). I also had the sense that Jace's character was too big for the story, or that Clare decided to write a story about Clary when she really would rather have focused on Jace. Like I noted above, though, I've already started the second book so we'll see if things improve for me. It also occurs to me that I can't have disliked City of Bones too much since I stayed up late last night to finish reading it.

this little valley: an update

"If I should wish for a retreat whither I might steal away from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley" (Washington Irving, Legend of Sleepy Hollow)

Some you know already know this and others may have speculated based on this post, but the big news is that I have a new job. I'm moving back to the area in which I grew up, the same area referenced in the Irving quote above. That (and the stress of leaving one job and starting another and weeding and packing our possessions) is why I have been neglecting the blog. I won't be fully settled until next month, but I am going to make an effort to begin blogging more regularly.

As I told my friend Nancy, the fact that I haven't been posting is really no one's loss as I've been reading a lot less than usual lately and what I have been reading is for the most part nothing to write home about.

it's not easy being green

"Unlike the dopey Oranges, who accepted their lot with self-effacing good humour, Greens never managed to rise above the feeling that no one took them seriously enough" (Shades of Grey by Jasper Fforde, 4).

I was quite taken with that line when I first came across it and I meant to share this quote when I typed up my post about Shades of Grey.

My favorite color is orange, but in many ways I may be a Green (see post regarding hubris).

A side note about the color grey. Whenever I set down the word, I always have the feeling that I've spelled it incorrectly. I decided to do a little research and I found out the root of this orthographic¹ predicament. Apparently the difficulty stems from a difference in British and American usage. Both the grey and gray spellings are correct, but grey is standard for the UK and gray for the US.

1. orthography: the art of writing words with the proper letters according to standard usage (spelling, hyphenation, capitalization, word breaks, emphasis, and punctuation).

absence makes the heart grow fonder?

I haven’t been posting. Things have been busy and hectic and stressful and it’s looking like they’ll continue to be that way for at least another month.

I have been reading. Not as much as usual, but I have been reading. It’s mostly the lighter stuff that’s been appealing to me (romance and teen vampire novels) and I’ve more or less given up on any of the challenging books have in progress (Snow, Tinkers). I made it to the top of the waiting list for Clara and Mr. Tiffany (art historical novel about the Tiffany of stained-glass fame) so I’m working through that now and am really enjoying it.

I’ll post when I can over the next few weeks, in the meantime don’t let any silence be cause for concern.